From The Perspective Of Re-writing Film-history,Shi Hui's Artistic Theory Of Directing And Acting

In recent years,with the discovery of historical materials,the study of Shi hui has gradually become an academic focus.As a maverick,brilliant genius in Chinese movie history,whose unusual life catalyzed his artistic growth,under the private-owned movie industry,"star system" and "genre flims" endowed full of freedom and the power in Shi hui's creation,However,and in a special historical context,the changes between aesthetic mainstream and discourse space let Shi hui's figure of both inside and outside the screen is quite lonely,but Shi hui is still maintain a position where in an active transformation and yearning new posture seeking the identity of the acceptance and approval in writing.This paper is divided into four parts:the first chapter mainly sorts out shi's theoretical achievements in the field of drama and film,and reinterprets and concludes that shi's art theory has the characteristics of "visual visualization and auditory poetic".Based on the academic blank of shi hui research,this paper reconstructs the path of shi hui research from the perspective of rewriting film history,takes the transformation of film history view and the reconstruction of shi hui research from the new theory of film history as the core research object,and probes into the deep causes of the formation and dissemination of shi hui artistic value through the new problems found in the"reconstruction".The second chapter titled "from the early growth of China's film talent stone wave table directors to artistic form the basis of",summed up the stone to flick on film art of early maturity and success cannot leave the sufferings and theatre company many years of efforts,the capital,as he went to the Shanghai to look alive under the life experience of filmmaker's relationship with art creation mentality change.In the third chapter,with the help of historical materials and video texts,the author attempts to analyze and discuss the interactive relationship between individual artistic interest and film industry orientation in the development of early Chinese films from the perspective of the evolution of the early Chinese film industry and the ecological interaction of shi hui's film creation.Based on the scientific method of historical materialism and dialectical materialism,this paper systematically investigates the outstanding performance of shi hui as an actor and shi hui as a director in the early Chinese film industry,and analyzes the background,causes and influences of the establishment of the artistic aesthetic system of shi hui as a director.The fourth chapter on the basis of historical study,from the stone wave table art director's "national character" and "modernity","social" and "intellectual property"dual problem such as dialectical thinking,the sociological context of early Chinese film to unscramble the art of stone and existence and individual existence,dioptase swing living circumstances in a special historical context.This paper analyzes the structure of shi hui's works at different stages,interprets the intertextual relationship between political system and film creators,and explores the game between politics and art,ideology and film aesthetics.