The Study Of "Cultural Root Seeking" Poetry Groups In Literature Periodicals In The 1980s

The poetry groups of "cultural root seeking" in the context of 1980 s,implicitly or explicitly influenced by ideology.Taking modern epic and "new frontier poetry school" as the guide,in the practice of excavating national culture in each province,many local young poetry writers consciously join in or unconsciously are bound by it,and then they are guided and supported by the editors intentionally.The local root seeking poetry groups have gathered in succession with the local literature periodicals as the center,and the poetry circle has formed the second wave after the obscure poetry tide.The groups of root seeking poems,from sprouting,bursting to declining,adhere to the poetic guidance of "tradition and modernity",and have complex disputes with the politic,economic and other real fields.A large number of poems reflect the poet's innovative experiment of traditional culture,but there are also disadvantages of model.This paper takes time as a clue,returns to the scene of art scene,reveals the historical form of "cultural root seeking" poetry groups,combs its development context,and investigates the continuous influence of the root seeking poetry groups in the literary history under the operation practice of literature periodicals.This paper consists of an introduction,a body,and a conclusion.The body consists of four chapters:The first chapter discusses the complicated context before "cultural root seeking",including the open literature space,the important political tasks,and mainly analyzes the problems of the development path of new poetry and its social impact.Taking Yang Lian's modern epic as the main sample to analyze the characteristics of "tradition" and "Modernity" of "cultural root seeking" in the early stage of its rise.The second chapter discusses the practice of the "new frontier poetry school" in 1981 and 1982,examines the influence of the publications with specific attributes on the national policy,and the initial approach of the local literature periodicals to the traditional culture,highlighting the artistic exploration of<Dian Chi> and the three young poets at this stage.The third chapter discusses the development,adjustment and cultural practice of local literature periodicals,as well as the interactive relationship between new poetry and humanitarian discourse in this stage,with the "decontamination" movement and the criticized "Xueye poetry school" as the main samples."traditional,realistic and historical" has become a safe literary choice.Pioneering literature,resounds through the Northwest with high tune.The fourth chapter discusses the process from 1984 to 1985 when the regional root seeking poetry groups flow rapidly to the ebb tide.Taking the provincial publications and "red soil poetry school","Baiyue realm","East China Sea poetry group" and "Yellow River poetry school" as the main samples,this chapter analyzes the operation of the second wave in the "creative freedom" environment,and looks for the commonness and individuality of the development of poetry group.As well as in 1986 to decline in all aspects of the reasons and follow-up impact.Through the detailed analysis and discussion of the above chapters,the paper finally grasped and positioned the phenomenon of "cultural root seeking",and pondering the significance of culture in the development of literature,and put forward new problems to be considered.