Folkness And Intellectual Position

Gao Xiaosheng ascended the literary world in the early 1950s,and his short stories"harvest the land and wealth","termination" and "misfortune" were well received.In June 1957,Gao Shi,ye Zhicheng,Lu Wenfu,Fang Zhi and others organized the "seekers" literary monthly magazine,which was immediately beaten into "anti party small group" and "rightist small group" in the stormy political movement.He was sent to his hometown Jiangsu Wujin Rural Area for 22 years.In 1979,"the case of "the seeker "was brought to an end,and Gao Shi rose in the new era literary world with" the returning writer ".His short masterpieces such as "people make ends meet"," Li Shunda builds the house",and "Chen Huansheng goes into town" were well-known and chanted for a while.Many theorists called him "the farmer writer" and aimed at " another master who depicts the national soul after Lu Xun and Zhao Shuli".The presentation of folk and intellectual position in Gao Xiaosheng's novel creation is the unique place that Gao Xiaosheng can stand in the literary history.Therefore,it is necessary to trace and investigate the color,core,generation and performance of the folk connotation of Gao Xiaosheng's novels,the value position and origin of the critical connotation of his novels.In this paper,the relationship between the folk nature of Gao Xiaosheng's novels and the position of intellectuals and the narrative performance,that is,the internal tension and narrative performance of the main body of the novels It is also obviously of academic value and significance.This paper is divided into five parts to discuss the relationship between the folk character of Gao Xiaosheng's novels and the position of intellectuals.In the introduction part,Gao Xiaosheng's life experience and novel creation experience are summarized.Based on the existing research results.the research contents,ideas and research methods of this paper are elaborated on the basis of careful reading of the text.The first chapter focuses on the folk nature of Gao Xiaosheng's novels in the new era.On the basis of combing and defining the concept of folk nature,it explores the folk connotation and core of Gao Xiaosheng's novels in the new era.Through the analysis of the influence of literary tradition and Gao Xiaosheng's identity of farmers,it further pursues the generating factors of folk nature in the novels in the new era.The second chapter mainly discusses the intellectual position in Gao Xiaosheng's novels in the new era.Starting from the two symbolic systems of Chinese traditional intellectuals and the May 4th intellectuals and Gao Xiaosheng's life experience,it analyzes Gao Xiaosheng's influence on him when he establishes the identity of the intellectual subject,and then explores the historical position of the intellectuals in his novels in the new era The origin focuses on Gao Xiaosheng's identification of revolutionary politics and inheritance of the specific narrative performance of enlightenment discourse based on the text.The third chapter explores the harmony and tension of Gao Xiaosheng's novel creation in the new era with the identity theory.On the one hand,in China at the beginning of the new era.the folk position and the elite consciousness are in the same context of "modernization discourse",and they have internal resonance on the cognitive platform of "modernization pursuit".The aspiration of folk culture to rich life resonates with the core of "modernization consensus",and thus has a spiritual emotional resonance relationship with the pursuit of modernization of intellectuals.On the other hand,although the folk gave Gao Xiaosheng creative resources and writing position,which is an important feature of his novel narration,he always looked at himself and the characters in his works clearly,and consciously showed the elite consciousness of intellectuals.The introspective character of the intellectual elite makes it have internal tension with the folk standpoint.The conclusion part reviews Gao Xiaosheng's achievements in the history of literature,re combs the reasons for the formation and narrative performance of his novel's folkway and intellectual's position in the new era,and the relationship between them in the text.On this basis,this paper discusses the lost situation of Gao Xiaosheng's novels in the later period of the new era and outlines the causes.