A Stylistic Study Of Mo Yan's Short-story

This article takes Mo Yan's short-story as the research object,and explores the characteristics and significance of Mo Yan's short-story.The main content is divided into four parts:The first part sorts out the construction process of Mo Yan's short style.The development of Mo Yan's short stylistics has roughly gone through three stages:The first stage is imitation,Mo Yan not only imitates the style of " Lotus lake",but also draws on a variety of narrative skills,which explores in eclecticism.The second stage is exploration,Mo Yan continued to carry out stylistic experiments with a pioneering attitude.The short stylistics showed a blend of tradition and modernity.The third stage is maturation.After exploring,Mo Yan still chooses to return to the folk.His short style forms a well-rounded "storytelling" tone.The second part analyzes the structural features of Mo Yan's short style.Mo Yan's short stylistic structure shows a free and open structure as a whole,which is specifically manifested in two aspects:The first is the cleverly connected plot structure.Mo Yan's short story is not only narrative and rustic,but also non-dramatic,and the ingenious story concatenation makes the work " dialogism ".The second is the "dissipative" structural model.A profound ending and the interlacing of time and space make Mo Yan's short opening and closing freely,presenting a non-linear dissipative pattern.The third part clarifies the narrative characteristics of Mo Yan's short style.Mo Yan's short stylistic style has a clear narrative tone,which is specifically manifested in three aspects:The first is deep narrative discourse,synaesthesia and repetitive rhetoric have enriched Mo Yan's short narrative connotation and attracted readers to explore its deep meaning.The second is the narrative perspective of "presence".The image creation of the narrator "Mo Yan" makes the work show its record in the extreme fiction.The third is the narrative rhythm that is slow,the flow of consciousness,inner monologue,and slow-motion details make the development of the story follow a psychological rhythm.The reader will follow the ups and downs of the character's fate in the narrative and will transfer the experienced emotions into self-awareness.The fourth part describes the development and significance of Mo Yan's short stylistic style.After winning the Nobel Prize in Literature,Mo Yan did not stop creating.A series of new works published since 2017 show the development and breakthrough of his short stylistic style with the essence of narrative language,dramatic concentration of stories,and series of works.In the forty years of continuous creation,the short story is not only a "light cavalry" by Mo Yan for stylistic experiments,but also forms a self-relevant intertextuality with the medium and long version,and together constitutes the "Gaomi Northeast Village" world.In the short stylistic style,Mo Yan is more able to stick to himself and achieve free expression.Mo Yan's short stylistic features are distinct.This article hopes to understand Mo Yan's short-story stylistic connotation by presenting the characteristics of his text structure and narrative style,and show readers Mo Yan as a short-story writer.