A Study Of The Narrative Art Of Non-legacy Documentaries Of Folk Dance

Intangible cultural heritage is the cultural essence of the Chinese nation and the crystallization of human wisdom.It reflects the achievements of civilization in various historical periods in China,and contains the characteristics and customs of various ethnic groups.Folk dance,as a main category in the list of intangible cultural heritage,has distinctive local characteristics and unique cultural connotations.Due to the artistic charm of dance itself,it is more suitable for being presented through images,which constitutes a unique non-legacy documentary of folk dance.The non-legacy documentary of folk dance is not a product of the new era,but it is now showing unprecedented unique value.With the help of film and television media,it is particularly important to tell the story between the inheritor and the non-legacy culture.As one of the categories,it enriches the content of the non-legacy documentary.Through the combination of audiovisual and audio-visual methods,it truly records the form of folk dance,so The audience has a more intuitive and comprehensive understanding of the diverse art forms of folk dance,showing the unique charm of non-legacy culture from the film,and playing a role in inheriting and developing the intangible cultural heritage of folk dance.Narrative art can enrich the expression of folk dance non-legacy documentaries,making the current folk dance non-legacy documentaries in the entire documentary market wider.The narrative strategy and narrative discourse make the documentaries more vivid and fuller.This article takes narratology as the main theoretical tool and systematically interprets the narrative art of non-legacy documentaries of folk dance,in order to help its prosperity and development.This article takes the graduation work "Bronze Dance" as the main case and discusses the narrative art of non-legacy documentary in folk dance in four parts.The first part combs the concept of non-legacy documentaries of folk dances,and explores the background and context of the narrative art of non-legacy documentaries at home and abroad by reviewing and sorting out relevant documents.The study believes that there are certain problems in the creation of non-legacy documentaries of folk dance in the new media environment,mainly manifested by the lack of artistic charm and lack of uniqueness;the lack of traditional documentary records,which damages the authenticity;the single-frame modeling andinsufficient depth of thought.The second part discusses the positive impact of narrative art skills on non-heritage documentaries in folk dances,including multi-picture enrichment of non-heritage expression forms,digital technology to help non-heritage communication,image enhancement of non-heritage regional identity,and lens display of non-heritage national culture Genes and other aspects.The third part starts from the narrative structure,narrative method,narrative perspective and narrative characteristics,and discusses the specific strategy of integrating the narrative art into the non-legacy documentary of folk dance with personal works;finally,the narrative from the audiovisual language,color light,symbolic expression and character selection Perform concrete analysis on artistic skills to provide ideas for improving the artistic and expressive power of documentaries.