Chinese Film Realism Creation In The 1930s And Its Current Value

From 1932 to 1937,this period was the first golden period of Chinese film development.Under the influence of global left-wing thoughts,the Chinese left-wing film movement has risen.The left-wing progressives represented by Xia Yan joined the film creation team and changed the creative face of Chinese films in the 1930 s.They broke the traditional concept of "movie play",searched for materials from real life,actively introduced advanced film theories,and learned foreign film technology,which promoted the progress of Chinese film in the 1930 s.This thesis takes the realism of Chinese film realism in the 1930 s as the research object,through combing the creative background of Chinese film realism in the 1930 s,analyzes the creative characteristics of Chinese film realism in the 1930 s,and explores the film reality formed in the 1930 s The influence of traditionalist creative traditions on Chinese films,and by this means put forward an outlook on the current Chinese film realistic creations.The introduction first explains the special state of realism in China and defines the research object of this article.Secondly,it summarizes the existing literature research on Chinese film realism in the1930 s,finds deficiencies,and seeks the significance of this article Finally,the research method is introduced.The first chapter introduces the creative background of Chinese film realism in the 1930 s,and clarifies that Chinese films during this period were influenced by the left-wing cultural movement.Left-wing filmmakers have translated a large number of foreign film theories.In the 1930 s,the films actively absorbed the theoretical resources of foreign realism,promoted the theme of the film with social ideals,and formed a realistic expression with national characteristics.During this period,film technology achieved innovation.The emergence of sound films made up for the regret of the lack of sound performance in earlier films and increased the film's realism.In the debate between left-wing filmmakers and the "soft film" creative concept advocated by the Kuomintang government,they cleverly used private film companies to carry out in-depth film culture movements,and guided the creation of private film companies by the past "Martial Arts Gods"," Mandarin Duck and Butterfly Faction " Transformed into apresentation of the real life of the working masses.In the 1930 s,a large number of film works with mature artistic expression and realistic spirit prompted a fundamental change in the face of Chinese film creation,and finally promoted the emergence of Chinese film realism.The second chapter analyzes the basic characteristics of Chinese film realism creation in the1930s: the true presentation of the life of the times,the poetic expression of national culture,and the modernization of audiovisual language.It summarizes the characteristics of Chinese films in the 1930 s from the aspects of film content,artistic style,and audiovisual expressions.It shows the class nature of Chinese film realism on the one hand,and the uniqueness of Chinese film realism on the other.The third chapter discusses the reference value of Chinese film realism creation in the 1930 s to the current film creation.From the four aspects of social ideology,the consideration of commodity attributes and reality,the impact of technological progress on reality,and the link between literary and artistic creation and reality,the significance and value of the creative tradition of film realism in the 1930 s are expounded.Looking forward to the creation of theism movie.The characteristics of this thesis is based on the current context of Chinese film,new topics,new attempts,trying to study the creative tradition of Chinese film realism in the 1930 s from the perspective of the history of film development,systematically sort out the process of its occurrence and development,Explain the creative characteristics and social impact of this film phenomenon.Adhere to the historical materialism,while fully affirming the historical legitimacy of Chinese film realism creation in the 1930 s,make a rational generalization of its modernity characterization,and combine the current Chinese film realism creation with the current Chinese film realism creation.The realistic meaning of creation.