Tian Han And The Left-wing Film Movement Of The 1930s

Taking Tian Han and the left-wing film movement in the 1930 s as the research object,this paper analyzes and summarizes Tian Han’s organizing activities and film creation in the left-wing film movement,discusses how the left-wing film movement contributed to the success of Tian Han’s films in the 1930 s,and establishes Tian Han’s contribution in the left-wing film movement.The introduction part of the thesis defines the concept and time range of the left-wing film movement,and summarizes the academic research status of Tian Han’s film activities,film creation and film thought.The first chapter discusses the background of left-wing films and the left turn of Tian Han’s thoughts in the 1930 s.The left-wing film movement took place against the backdrop of the film industry seeking artistic transformation,the stimulation of the September 18 and December 28 wars,and the party’s struggle for cultural leadership.The important symbol of Tian Han’s ideological transformation in the 1930 s is the publication of Our Own Criticism and the staging of the adapted drama Carmen.The second chapter discusses Tian Han’s active participation in the left-wing film movement.During his time in the left-wing film industry,Tian Han widely united the progressives in the film industry,took advantage of his identity in the Drama League to strengthen its support for the left-wing film movement,actively opened up the front of the left-wing film,and carried out rich scriptwriting activities.The third chapter discusses Tian Han’s creative work during the left-wing film movement.During the left-wing film movement,Tian Han created and successfully released nine films,which carried out left-wing political principles,paid attention to disciplining the ideology of the audience,and called the subject of revolution.The fourth chapter discusses the left-wing film movement contributed to the success of Tian Han’s film creation in the 1930 s.The left-wing film movement contributed to the success of Tian Han’s films in the 1930 s in two aspects: leading the creation and expanding the acceptance space.On the one hand,the construction of the left-wing theory of "film popularization" prompted Tian Han to adjust his creation to the popularization direction;on the other hand,the left-wing film criticism opened up the market acceptance space for Tian Han’s films.The fifth chapter discusses Tian Han’s contribution to the left-wing film movement.Tian Han not only translated and created left-wing film theories,but also made an important contribution to the left-wing film movement.He also actively participated in the left-wing film movement and made an important contribution to it in practice.The conclusion summarizes the significance of Tian Han’s contribution to the left-wing film movement.