A Pearl Lost In The Ocean Of Opera

Centuries have passed since the return of the Torghut to the east,and one hundred and seventy thousand brave Torghut have long since died,but the story of their return has been told from generation to generation,their heroic character of defying rape,resisting exploitation and pursuing peace has influenced generations of Chinese children.Many works of art have been created in response to this historical event,such as the film "Ao Lei Yi Lan",the opera "The Morning Star" and "Cang Yuan",the TV series "east return to the hero biography" and so on.These outstanding works represent the great feat of the East returning of the Torghut from different angles,and are of great ethnic color and artistic value.In 1979,"The Morning Star" was released on a grand occasion,won the people's favorite.In the opera work,each opera image has the existence value,but the heroine "A Zhu" the value is the opera "The Morning Star" The work itself bestows.Only by analyzing the music image and drama image of "Azhu" from all sides can we analyze her inner world and explore the artistic value and contemporary value of Azhu.The opera works with the theme of female roles are deeply loved by the people.Almost all the opera works have at least one female role with distinct character,vivid description and representative character,the appearance of "Azhu“promotes the development of the plot and plays an important role in the opera "Morning Star".Through the analysis of the musical and dramatic images of "A zhu",the research on the creative background and social status quo of the opera "The Morning Star",and the standard of the National Soprano's aesthetic appreciation of music,the aesthetic thinking on the image of "A Zhu".The introduction mainly includes the research background,research status,research ideas and innovation of this paper.In the first chapter,from the angle of the role-building of opera,the music image,drama image and humanistic meaning of A zhu are discussed.The second chapter,based on the author himself,interviews teacher Shen Chengzhou,former vice-president of Hubei Song and Dance Theatre,to understand the creative background of the opera "The Morning Star" at that time and the soil in which it was "grown",at the same time,"to follow my beloved Goshen" as an example,the analysis of "A zhu" sound modeling,so as to explore the "A zhu" inner world.The third chapter is the aesthetic thinking of the national opera,which is expounded from three angles:The Chinese story told by the Bel Canto,the aesthetic appreciation of A zhu as a whole,and the contemporary value of A zhu,to show the significance of "A zhu" in the opera "The Morning Star".