Research On The Development And Innovation Of Watercolor Materials

Looking at the world to investigate and study today's art development,we can see that the comprehensive use of materials has become the general trend.All kinds of paintings are developing from single subject to comprehensive large art.At the same time,there are some marginal paintings which are combined by art and modern technology.Their emergence has injected fresh blood into the development of contemporary art and expanded the development space and aesthetic field of art works.In order to adapt to the development of the trend of the times and the aesthetic needs of the new century,today's watercolor painting creation also gives more tolerance in material and expression language,showing the characteristics of coexistence of various forms and concepts.The fact also proves that the introduction of materials into the creation of watercolor painting can derive new value.It is not only a supplement to the traditional watercolor painting materials,but also can improve the visual tension of the picture,make the ideological and cultural connotation of the work more profound,enrich the forms of expression of watercolor painting,and meet the artists' diversified and personalized needs for artistic language.However,there are some doubts about the involvement of materials in the field of watercolor in China,and the call to stick to the characteristics of painting is growing.They believe that watercolor can't be called watercolor if they give up the transparent and moist watercolor effect of watercolor.Therefore,the domestic watercolor painting has always been in a tug of war with two concepts,and the overall state is still "sticking" rather than "innovation".Therefore,this paper combs and analyzes the current development of watercolor painting from the perspective of "materials".In the way of total-sub-total,this paper first analyzes the aesthetics of materials in art works from the current application of materials in the field of art,affirms the value of materials' existence;then analyzes the development history of Chinese and Western watercolor paintings based on the clue of "materials";as Mr.Zhang Yuan said,"looking at the history of art from the perspective of materials,practice is more important than evaluation Must " Therefore,this paper immediately combs and classifies the types and methods of the current watercolor painting material expansion;finally,based on the summary of predecessors,thispaper puts forward its own views on the innovation of materials,art is valued in innovation,and the key to the innovation of materials is concept innovation,while the innovation of materials also reflects the "spirit of the times".In addition,through the relevant research and exploration of watercolor painting materials,the author gives his own views on the query of comprehensive use of materials in the field of watercolor in China at present,and believes that the "bottom line" of domestic watercolor artists at present should not be the persistence of painting characteristics,techniques and materials,but the presentation of artistic taste and quality of artists' main responsibility consciousness.Domestic watercolor artists should give up their insistence on "painting type",actively and boldly try new materials,at the same time,they should be good at exploring the spirit and cultural connotation inside the materials,combining the cultural connotation inside the materials with the theme of the picture,rendering their own works of art with the cultural connotation inside the materials,so as to make the cultural and ideological connotation in the works more profound.