| As an effective carrier of the national mainstream ideological discourse,Chinese military films bear the important responsibility of spreading patriotism,collectivism and socialist spirit,shaping national image and carrying forward national culture.In the new era,military films such as operation Mekong river,operation Wolf warrior and operation red sea have emerged,which effectively seamed the mainstream ideological discourse with the expectation of the audience as well as the artistic beauty of the film,and achieved remarkable results in both "acclaim" and "popularity".Based on the new thoughts of the new era,this paper analyzes the theoretical basis and practical factors for the military films of the new era to approach the mainstream ideology from two aspects: the change of the context of The Times and the development of the film industry.From the perspective of discourse ontology,this paper focuses on the expression strategy of ideological discourse of military films in the new era,and explains that military films in the new era realize the organic unity of political orientation and commercial benefit,national consciousness and world sentiment,cultural inheritance and reference innovation through the effective transformation of discourse.By deeply exploring the artistic characteristics of military films in the visual picture,auditory art and narrative way to expressideological discourse in the new era,the author reveals the characteristics and effects of their discourse expression.Finally,it further analyzes the shortcomings and puts forward the breakthrough and improvement methods to provide reference for the future development of military films.The research is carried out from the following parts:The introduction sorts out the research achievements of the academic circle in the field of military films and their ideological discourse in the new era,analyzes the theoretical and practical significance of this topic,points out the research methods adopted in this paper,and defines the related concepts involved.The first chapter mainly expounds the background of the formation of the ideological discourse of military films in the new era.The changes in the cultural,social and media environment in the new era have promoted the deconstruction and remodeling of the ideological discourse of military films.Meanwhile,the reasonable optimization of the film industry censorship system,the transformation and upgrading of film production,and the rising military culture have provided support and guarantee for the expression of the ideological discourse of military films in the new era.The second chapter analyzes the narrative strategy of the ideological discourse of military films in the new era based on the discourse ontology.The ideological discourse of military films has changed to internationalization and realized the imago military film's main idea expression,presenting the three-dimensional military hero image.The expression of ideological discourse in the film has the distinct political attribute,and contains the purpose and value of making people invisible.The third chapter mainly examines the artistic characteristics of military films in the new era from the perspective of video narration.New era military film using colors,images and dialogue,music,adopt unique narrative space and narrative Angle of view to artistic expression of ideological discourse,the visual images reveal artistic aesthetic feeling,auditory language filled with the emotion experience,narrative art,art has realized the military culture of audio-visual expression and implication of sublimation.Conclusion part summarizes this article research results,to reflect on the problems existing in the new era military film creation and deficiency,and puts forward a new era of military film ideological discourse expression need to further implement the "world" and "scale","open" and "shield","reflected" and "re-factoring" organic unity,boosting its artistic value and social value of the bidirectional promotion. |
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