A Study On Wang Tingxiang's Literature And Art Theory

Wang Tingxiang is a well-known writer,philosopher and statesman of Ming Dynasty.For a long time,his philosophical ideas represented by "Ontology of Yuanqi" were hot topics in academic research and important content of Ming Dynasty philosophy,but his research on Wang Tingxiang's literary and aesthetic thoughts as well as literary aspects were slightly lacking.Based on the above reasons,this article takes Wang Tingxiang's literary and artistic thought research as the research object.Based on the social background of the Ming Dynasty,as well as Wang Tingxiang's own learning experience and philosophical thoughts,this article explains Wang Tingxiang's literary thought theory and music thought theory.The first chapter introduces the background of Wang Tingxiang's artistic thought.Based on the study of Wang Tingxiang's association with " The Former Seven Scholars" of the Ming Dynasty and Wang Tingxiang's early life experience,he discussed Wang Tingxiang's early literary and retro thinking,and further objectively evaluated the theoretical basis of their literary creation,so as to better understand the literary retro thinking in the mid-Ming Dynasty.Meaning and value.It also analyzes the inheritance and development of the former generations of retro parties in Ming Dynasty from the development of literary history.The second part discusses the influence of Wang Tingxiang's Qi thoughts on his literary and aesthetic thoughts.Wang Tingxiang's idea that Qi is the essence of everything,which has a profound impact on his literary and aesthetic thoughts.He pays great attention to the main body of literary creation and attaches importance to the cultivation of authors' quality.Generated views.The second chapter introduces the theoretical composition of Wang Tingxiang's literary thoughts.This paper discusses Wang Tingxiang's theory of thought,especially "image theory" as the core content.Starting from the origin and evolution of imagery,the author summarizes Wang's imagery theory which has three main features: "transparent imagery","roundness and ancientness",and "unintentional writing".In addition,the author explained the relationship between "literature" and "Tao" that Wang Tingxiang considered,and discussed the theoretical value of the concept of literaryretrospect in Wang Tingxiang's "Wen Taoism" thought.The third chapter introduces the theoretical composition of Wang Tingxiang's music thought.First of all,the functional role of music was discussed.Wang Tingxiang believed that music has an enlightening effect on people,and has a cultural function with "harmony" as an aesthetic feature.In addition,he not only evaluated the content and form of the music,but also verified the rules of the music and discussed the music itself.This has a certain impetus to the music theory of the Ming Dynasty.