A Study On The Creation Of The Group Painting Of Chinese Painting Characters In "waiting For Her Lover"

Today's society is the era of rapid development of the Internet and the expansion of information.Good or bad things in the world can be widely known in just a few seconds.And unmarried young women for the future unknown marriage,love life,originally has belongs to this period of vision and hesitation,the contemporary young women are more after receiving the surrounding information more complex Internet information,the topic of "love" and "marriage" has many views of the discussion.This article,combined with the comprehensive understanding of creative practice,on the basis of ancient and modern,Chinese and foreign women love marriage development,based in the traditional marriage culture,focusing on the emotional and psychological of contemporary young women before marriage,combined with the contemporary social and cultural environment,through the painting to express young women's marriage in the face of the unknown and long waiting,complex emotional feelings.The four characters "Zhi Zi Yu GUI" in the title are selected from tao yao in the book of songs,which is one of the typical marriage speeches in ancient China.The fulltext expresses the beautiful and simple blessing to the girl's marriage,its content description is easy to understand,close to life,"waiting" means "Waiting for someone's girl",here refers to the young woman's waiting mood when facing unknown marriage feelings.This paper is a research on the creation of a group of paintings named "Waiting For Her Lover".Chinese traditional culture and aesthetics influence contemporary women's thoughts and ideas.Through the study of ladies' paintings and ornaments in different historical periods,we can understand the traditional women's aesthetics,and the collision between traditional and modern elements in picture vision.The author follows the real feelings of the moment and interprets women's hesitation and expectation for marriage from the perspective of unmarried women.The content is divided into five parts:The first chapter is about creative conception.The second chapter is the study of traditional painting and the collection of creation materials;The third chapter describes the creative process of the painting and the study of the professional thinking;The conclusion part is the experience and reflection of the painting creation.The last part is the exhibition andsummary of some painting works during the author's graduate study.