Research On "Collective Creation" In Shanghai Before The July 7 Incident

"Collective creation" as another literary context developed independently of "individual creation",occupies an important position in the history of modern Chinese literature.Collective creation in the Shanghai area before the July 7th Incident was the initial decades of collective creation at the stage,during which many collective creative practices appeared.In addition,the theories and controversies that emerged at the time laid the foundation for collective creation over a long period of time.The basic creative principles provide an effective way to realize the popularization of literature and art and unite the broad masses.This paper analyzes the influence of domestic and foreign factors on the phenomenon of "Collective creation" in Shanghai before the July 7 incident,and sorts out and explores the practical works of collective creation and relevant theoretical articles.At the same time,the influence of the time of the "Collective creation" in Shanghai is considered.In this paper,the collective creation in Shanghai area before the July 7th Incident is divided into four parts.The introduction summarizes the research status of collective creation,and defines the collective creation explored in this area in Shanghai.The first chapter discusses the background of the era of collective creation.On the one hand,the domestic revolution failed and the political environment changed drastically.The personal emotions of writers during the May 4th Movement no longer suit the needs of society,and collectivism and collective consciousness are prominent among the masses.On the other hand,the international proletarian literary movement is in full swing,guiding the new development path for the Chinese revolution in perplexity,in particular,the Soviet unions advocacy of collective creation had a direct impact on Chinese revolutionary literature.Part of the analysis of the political and cultural environment at home and abroad at the turn of the 1920 s and 1930 s,and explored the objective conditions they provided for the production of collective creation.The second chapter discusses the practice and theory of collective creation.The collective creation in the Shanghai area before the July 7th Incident was mainly concentrated in the magazine "Bright" and "One Day in China".This chapter summarizes the phenomenon of collective creation and deals with collective creation.An analysis of his works was made to explore the theme of "resistance to Japan and salvation",which was closely combined with the times.At the same time,he studied the theoretical phenomenon of collective creation at the time.These theoretical articles and debates expanded the influence of collective creation and promoted it.The development of collective creation is important to lay the theoretical foundation for the extensive development of the collective creation movement after the outbreak of the War of Resistance Against Japan.The third chapter discusses the epoch-making significance of collective creation."Collective creation" is a response to the problem of "script shortage".Created many scripts,provided sufficient scripts for major troupes,and provided an effective way for solving the problem of "script shortage".At the same time,"One Day in China" created a "One Day" collective creative model,which appeared many other national literary and artistic movements,but it should be noted that later collective creation gradually became political discourse Gathering and copying gradually became political vassals in the process of constructing political authority,and deviated from the original intention of collective creation.