Shanghai Bird And Flower Painting Modern Bird And Flower Painting Creative Contemporary Revelation And Shackles

Shanghai in China, the status and significance of painting in recent years, gradually attracted people's attention and study. Because of its vague, diverse, changeable characteristics, which led to the concept of the use and evaluation of Shanghai today unable to agree on which is right.This article attempts from seven chapters style flower and bird painting form,, artistic innovation, and representatives of modern flower-and-bird painting inspiration and restraint, to discuss the style flower and bird painting to modern flower-and-bird effect.The first chapter, mainly from the historical background, economic background, cultural background to explain the generation, development. Shanghai in China is entering semi-feudal and semi-colonial historical context, in Shanghai's highly developed commodity economy under the protection of, at the end of the Qing Dynasty traditional Chinese flower-and-bird painting art into the bottleneck of the development of the premise, comply with the requirements of the times and the selection, inheritance and innovation, formed a unique artistic style, thus turning in the history of Chinese art main page, into the traditional Chinese painting to modern paintings change indicator. The second chapter, mainly from the artistic expression of thde times, economic prosperity of commodity consciousness, painting of the suit and the common people and the integration of Chinese and Western painting in four aspects the Shanghai painting artistic characteristics. The Qing government with the decline of traditional Chinese painting of flowers and birds, eager to get rid of the traditional literati painting XiaoYi alienated conception, and to meet emerging city aesthetic interest, times call for painting appears new phase, the emerging of Shanghai is the response to this request, showed a strong age characteristics. At the same time as the economy developed changes in the structure of modern cities, the painter becomes a living occupation, receive payment according to work, as the Shanghai painter's art provided corporeal safeguard , also at the same time as the Western material civilization and artistic ideas, new city public aesthetic effect of fashion, style flower and bird painting presents a fresh new look beautiful, suit and the common people.Chapter III, the main color, style, theme, image four aspects of the detailed style flower-and-bird painting artistic innovation. Shanghai flower-and-bird in succession on the basis of tradition, into the characteristics of the times, combined with the sense of Western water colors, bold colors, rich use of color changes, pay attention to warm and cold colors, complementary, harmonic changes, opened a new opportunity of literati painting with color; by clearance of epigraphy research works, prosperous, artists in Shanghai Book Art, exquisite painting homologous stress, picture of rare stone seal his gas, unadorned, Pumao; by the new city townspeople aesthetic requirements; painting more close to people's real life, convey a meaning auspicious blessings; the composition, the poem, calligraphy, painting, printed into the painting, more streamlined layout, dangerous, highlighting the sense of modern composition.Chapter IV, the mainly lists of Shanghai four representative figures of Zhao Zhiqian, Pu Hua, Ren Bonian, Wu Changshuo life and artistic achievements, to further illustrate the Shanghai Painting Artistic Characteristic and artistic contribution.Chapter V, mainly elaborated the Shanghai painting to modern flower-and-bird painting creation and development enlightenment. From the Shanghai production, development and artistic achievements made can be seen"from the retro innovation"when the pen and ink with the times"the"Book Art", to modern flower-and-bird painting as constructive, its artistic vitality must replacement and going.Chapter VI , mainly tells the story of Qi Baishi, Pan Tianshou, Li Kuchan three modern flower-and-bird painter to the Shanghai wrt inheritance and artistic achievements.Chapter VII, mainly discusses the Shanghai painting to modern flower-and-bird painting bound. The specific social, artistic context, to Shanghai painting brings development opportunities at the same time, also will lead to the generation of inert painting, painting the development of product attributes too, so artists who blindly buy a painting to meet the position, and lose the passion and the principles of art in modern painting should be sufficient attention and learn.Conclusion section, further confirmed that the Shanghai Painting history status, he on human history contribution can not be replaced.