A Study Of The Aria Art Of Yin School In Yue Opera

Yue Opera is one of the five major opera dramas in China,and also the second largest drama in China,known as the "second national opera".Although the formation of the Yue Opera has only a hundred years of history,its rapid development is currently recognized by the audience as the "Thirteen Schools" and the regional push by professionals.Aria is an obvious sign to distinguish the genre of Yue opera,and it is also an important means to shape characters and express inner feelings.As one of the currently well-developed schools,Yin School believes that it should find out its "uniqueness".The analysis concludes that Yin School Art of Singing helps to systematically mine the artistic value and social value of Yue Opera and promote Yue Opera and other opera schools Inheritance and development.This article takes the Yin School as the research object,and conducts a systematic study on its historical evolution,vocal music characteristics,relationship of vocal words,singing art,aesthetic character and contemporary inheritance and innovation.The first chapter sorts out and divides the time evolution of Yin School's aira art.This chapter is based on Yin Guifang's artistic experience,Yin School's characteristic melody and the appearance of representative plays.It is divided into accumulation period(1929-1942)-formation period(1942-1948)-maturity period(1950-1969)-inheritance and Development period(1972-present).The development of Yin Guifang's artistic path is related to her constant study and continuous innovation of the artistic spirit.The development of Yin's aria style is inseparable from the efforts of generations.The second chapter starts with Yue Opera music and analyzes the musical form of Yin style ariavocabulary,which mainly includes three aspects: melody,plate structure and melody characteristics,to see the unique music structure of Yin style aria tune.The third chapter starts from the language of aria vocabulary,analyzes the vocal structure and rhetorical methods in the Yin School's vocabulary,and then further understands the relationship of Yin School's vocabulary.It is overall free but still follows the principle of vocalization.The fourth chapter focuses on the analysis of singing art,and selects Yin's famousparagraphs "He Wenxiu","Dongfang",and "Qu Yuan " as cases,summing up Yin Guifang's biting and resonance,return to rhyme,breath,and moisturize the characteristics,so as to analyze the art of Yin singing more carefully.The fifth chapter is based on the research of the previous chapters,and summarizes the aesthetic qualities of the Yin School aria vocabulary,which is mainly reflected in the three aspects of holding the tone of the vocal style,aria style that is rigid and soft,and shaping the character with the objects.The sixth chapter is a research on the contemporary inheritance and innovation of the Yin School.It mainly discusses the current status of the development of the Yin School,so as to explore the reasons for it,and provides a theoretical reference for the development of the art of the school of opera.