Research On Zong Baihua'S Theory Of "Life Rhythm"

"Rhythm of life" is the core of Zong Baihua's thought system.The "Rhythm of Life" theory was formed in the 1930 s by Zong Baihua in experiencing,understanding and reflecting on the ontology of life and drawing on relevant theories from China and abroad.Life is a rhythmic life,and rhythm is a rhythm of life.In Zong Baihua,the "rhythm of life" is the origin of the universe.Zong Baihua deeply analyzed nature,art and life from the perspective of "life rhythm" :In terms of the beauty of nature,the concept of "natural beauty in creating vitality" gradually changed into "natural beauty in vitality";In terms of the beauty of art,it gradually changed from the early view that "art should express the vitality of natural creation" to "art should express the rhythm of nature";In terms of the beauty of life,it gradually changed from the early view that "life must be beyond the world" and "the life must be positive and harmonious." The main root of these changes is Zong Baihua's consciousness and reflection on the "life rhythm".This article is based on Zong Baihua's ideological system,analyzes the formation process,basic essence,specific presentation and theoretical characteristics of his "life rhythm" theory,and analyzes its modern value from the perspective of today,trying to Do a more comprehensive and in-depth study of the theory.The first chapter of this article starts from the historical formation of Zong Baihua's "life rhythm" theory and explores its causes:One is Zong Baihua 's own unique antecedent quality and life attitude;second is Western modern philosophy of life;third is Chinese classical philosophy of life.His own unique temperament and life attitude refer to Zong Baihua 's childhood love and experience of natural life to nourish his spiritual world and his understanding of life,which prepared the conditions for later Zong Baihua 's acceptance of Western modern life philosophy and Chinese classical life philosophy.In the process of accepting modern Western philosophy of life,Zong Baihua further believed that the origin of the universe was the vitality of universe creation.With Zong Baihua's transition to Chinese classical philosophy of life,his understanding of the ontology of life changed from "creative vitality" to "life rhythm".Chinese classical life philosophy is the key to the formation of Zong Baihua's "life rhythm".The second chapter explores the theoretical connotation of "life rhythm".It can befound from Zong Baihua's relevant discussion that "qi" is the foundation of "life rhythm";"Motion" is the form of "life rhythm";"He" is the destination of "life rhythm".They are interrelated and inseparable."Qi" is the basis of "movement","motion" is the expression form of "qi",and at the same time,"movement" and "qi" merge with each other.Finally,"harmony" appears,and "harmony" is The first two results.The third chapter analyzes the concrete presentation of "life rhythm".From the perspective of "life rhythm",Zong Baihua proposed that the three aspects of nature,art,and life are different from the early thinking.This difference is mainly due to his recognition and reflection of "life rhythm".From this,we can clearly find the pivotal position of the "Rhythm of Life" theory in Zong Baihua's thoughts on learning.The fourth chapter analyzes the basic characteristics or characteristics of Zong Baihua's "life rhythm" theory through comparison with other theorists of the same period.It can be said that his "rhythm of life" theory has both a metaphysical outlook and a metaphysical concern;The metaphysical outlook of "Rhythm of Life" is mainly because the "Rhythm of Life" is formed by the yin and yang,and is the origin of the universe;The "life rhythm" cares for the metaphysics because the "life rhythm" has a deep concern for nature,art and life.The fifth chapter explores the modern value of the "life rhythm" theory.First of all,this theory inherits and carries forward the life spirit in Chinese classical life philosophy.Zong Baihua not only used the core ideology of the Book of Changes as the basis for the formation of the "rhythm of life",but also affirmed and absorbed the life spirit of the space-time concept in the Chinese classical calendar philosophy,which has the role of inheriting and carrying forward the Chinese classic life spirit Important value;Secondly,"life rhythm" is the commonality of all arts.In constructing the discipline of modern art,it can provide a theoretical reference point for breaking the boundary between general art and various arts.Finally,in perfecting modern youth personality,Zong Baihua's "life rhythm" theory can give enlightenment to youth's soul,and has important practical significance in perfecting youth personality.