Research On Chinese Landscape Painting In Sichuan Fine Arts Institute

Landscape painting is an important part of the Chinese painting system.With the great transformation of modern Chinese art,many artists draw lessons from the colorful western landscape paintings and try to find the crossover integration between western art and traditional Chinese landscape paintings,which makes contemporary landscape paintings bring colors into the field of landscape painting again and become richer,presenting a different artistic style.Taking li wenxin as an example,as a master of the use of color and form structure in landscape painting,he devoted himself to depicting the mountains and rivers in sichuan by virtue of jiangnan spirit,and opened up a new regulation of Chinese landscape painting in sichuan fine arts institute.In this regard,this paper sorts out the relationship between teachers and students of landscape painting in sichuan academy of fine arts.Taking li wenxin's landscape painting as a case study,this paper tries to analyze the inheritance and innovation of the art form in landscape painting of sichuan academy of fine arts by using the form analysis of landscape painting and combining with my own artistic creation practice.The foreword of the first chapter puts forward the necessity and urgency of this paper,and mainly introduces the research status of landscape painting in sichuan academy of fine arts as well as the research methods and significance.The second chapter summarizes the early stage of landscape painting of sichuan academy of fine arts,the foundation period and the historical development of the present situation.The third chapter specifically analyzes the formal structure,blank layout,color application and artistic creation view of landscape painting of li wenxin,founder of the department of traditional Chinese painting of sichuan academy of fine arts,as well as the influence on the landscape subject of sichuan academy of fine arts.Chapter four discusses the inspiration of li wenxin's landscape paintings to his own artistic creation based on his own artistic practice.The fifth chapter summarizes,on the basis of the previous four chapters,in-depth discussion of sichuan beauty landscape painting in the aspect of inheritance and reform put forward their own views,in the hope of better understanding and understanding the form of landscape painting expression,also hope that this article can be used in the field of landscape painting research.