Research On From Watching To Action

This article takes the "audience" of Capro's incidental art as the research object,and focuses on the specific situation of the audience in the practice of incidental art.In the special theater form of occasional art,I try to analyze the audience 's identity and behavior types,experience generation and feedback,and their position in the complete structure of the work,and it is different from other "audience-work" structures in modern art.The relationship is compared,and the conclusion is drawn that the identity of the audience of modern art in the 20 th century is constantly changing.The general trend is to shape the audience from passive bystanders to active participants,so that the audience 's behavior and experience become works.Part of the ontology.However,this molding actually faces many problems in the concrete practice process.Up to the present participatory art form,it is actually in an "unfinished participatory" process.In specific discussions,the first chapter briefly analyzes the different relationships between abstract painting,minimalist art,and ready-made art(postmodern art)and the audience.In the process of development,they are separated from the audience.It presents the characteristics of opposition,"theatricality" and "field-likeness".The second chapter mainly discusses the particularity of the occasional art theater's form.On the one hand,the occasional art inherits the advancement of action painting to the daily space outside the canvas.On the one hand,the "empirical" art cognition of Dewey's pragmatic aesthetics was internalized,and it became a kind of non-drama theater performance art.It is this fused theater form that gives the audience room to play,presenting a work structure that actively accommodates the audience 's behavior and experience;Chapter Three starts with specific works and analyzes the specific behavior of the audience in occasional works of different structures.Methods and experience perception methods,to distinguish their types of identity,they actually gradually transformed the author from the participant.At the same time,in the specific analysis,it points out some problems faced by the audience in the participation process;Chapter 4 continues to discuss the issues of audience and experience.Occasional art incorporates audience experience into the body of the work,so the passive viewing behavior of the audience can no longer satisfy the dialogue structure of "audiencework",but needs to mobilize a "new sensibility" as Susan Sontag believes.On the other hand,this kind of work emphasizes the specific anti-system characteristics of the works generated by the audience 's on-site experience.Once entering the museum's exhibition system,it will inevitably face the loss of experience.The museum cannot restore the occasional discovery site,and the audience facing the record of the work cannot actually Really feel the occasional art.Not only that,but also from the occasional focus on the experience of the audience,it is not difficult to find that "participatory art" since the 1990 s has often not actually included the audience's subjective experience in the works,and the audience has only become an artist's props.Once isolated from the work.