Research On The Art Of Maonan Opera In Huanjiang,Guangxi

Maonan Opera can be divided into broad sense and narrow sense.The broad sense of Maonan Opera refers to the dramatic forms of mao-nan ethnic group and other derivative art forms that include dramatic elements.Narrow monao ethnic group had only refers to play "monao ethnic group had to exorcising",based on a "fat" set of maonan worship god worship ceremony(also known as the "ceremony" let),popular in China--the only maonan autonomous county of guangxi huanjiang maonan autonomous county,it is not only originated from primitive religious rite developed into a sacrifice etiquette,is also a unique ethnic minorities in guangxi China.In terms of the development of drama form,Maonan Opera has gone through three stages,from ritual drama,to modern Maonan Opera,and then to the integration of drama into dance.Maonan Opera is gradually developed on the basis of folk exorcism and folk songs and dances.The aesthetic value of Maonan Opera art can be summarized by the word "harmony",which includes the connotation of "harmony","harmony" and "harmony".The paper is divided into three chapters except the introduction and the remainder.The introduction introduces the purpose and significance of the research,the research status and methods at home and abroad.The first chapter is the development track and artistic origin of Maonan Opera,mainly from three steps: one is a brief overview of the origin of Maonan Opera and its development;Secondly,it discusses the gestation of nuo drama in the votive returning ceremony.Thirdly,it discusses the nourishing effect of folk culture on the theme creation of Maonan Opera.The fourth is to discuss the influence of han and zhuang operas on Maonan Opera.The second chapter focuses on the study of the forms and plays of Maonan Opera,and analyzes one by one the three forms of ritual drama,main types of modern Maonan Opera,and nuo dance derived from Maonan Opera.Chapter three studies the stage presentation and performance style of Maonan Opera,mainly analyzing the musical characteristics of Maonan Opera from the perspective of singing,lyrics and musical accompaniment.Analyzing the dance performance of Maonan Opera from the relation of movement,movement and performance;This paper analyzes the modelingart of nuo face on the stage of Maonan Opera from three aspects: types,production process and aesthetic characteristics.In the last part,it summarizes the whole paper and discusses the aesthetic value of Maonan Opera art and its inheritance and protection as an intangible cultural heritage.This paper by guangxi huanjiang monao ethnic group had the drama as the research object,mainly using the field research method,literature research,comparative research and case analysis method and so on four kinds of research methods,tries to system,clearly outlined from the origin to evolution,from content to form,from the style of drama to the aesthetic value of art research clues,not only as much as possible also hairs dynasties history source and complete art form,deepening the research on monao ethnic group had the drama art,also for minority drama and exorcising opera art research,provides the certain reference value.