Aesthetic Analysis Of Miniature Sculpture

As an important art form in the development of Chinese art,micro-sculpture has created a very unique artistic aesthetic for Chinese art.There are many categories of micro-sculpture in China,including tooth carving,jade carving,bamboo carving,nuclear carving,etc.,all of which have a long history.No matter what class or era,miniature sculpture has always been loved by people.It has created a kind of miniature beauty of things,which has continued to this day and become an indispensable part of Chinese culture.The development of art has a great relationship with the social activities of human beings.Human activities have madeart possible,and art also embodies human civilization.Miniature sculpture is also included,and it has a very close relationship with human beings.In the development of miniature sculpture,it can be seen that its style has a very close relationship with People's Daily utensils.Specifically,everyday utensils are the carrier of miniature sculpture,and even Chinese art.It was not until the song dynasty that art and daily utensils were separated,but the miniature sculptures were not completely separated,and some of them were used as ornaments for daily utensils.Therefore,I will explore the relationship between miniature sculpture and people of different ages,and further understand why miniature sculpture has always been a favorite art.Although there are many different kinds of the development of Chinese art,the aesthetic thoughts are in line,no matter what kind of arts presented by the elephant,are all around in the continuation of the Chinese aesthetics thought,say that China has been conducted on the development direction of Chinese art esthetics thought,so much so that Chinese art has now people looks very important continuity and inheritance,miniature sculpture as well.I will analyze the causes of micro-sculpture and the aesthetic thoughts of micro-sculpture itself based on Chinese aestheticthoughts,so as to inspire modern and contemporary micro-sculpture to better retain its native artistic style and spirit in creation.At present,the creation of micro-sculpture is totally different from the creation concept of contemporary art.Some people even say that micro-sculpture sticks to the old tradition too much.The author's opinion is otherwise.But there are human speech,carries forward the tradition is bad,why must go into the contemporary context,here the author thinks that,in the contemporary context in order to make the micro sculpture have a better development,in the context of contemporary reflect the charm of art itself,since the qing dynasty,miniature sculpture has been working with the old style,under the impetus of the era also slowly and found the problem,because do not conform to the modern people's aesthetic.It is a difficult proposition to carry forward both tradition and innovation in the contemporary context.Therefore,the author believes that only by studying microsculpture from its roots,and understanding how micro-sculpture develops in different times and the aesthetic connotation of micro-sculpture itself,can we find a solution to this proposition.