Research On The Theme Of Flower And Bird Painting Creation In The 17 Years Since The Founding Of China(1949-1966)

The relationship between man and nature in ancient Chinese flower-and-bird paintings is mostly a negative one,which has undergone great changes since the founding of the People's Republic of China.Such changes come from the guidance of literature and art policies and are closely related to the background of the whole society and the changes in people's consciousness.The policy guidance brought the opportunity to change the meaning of flower and bird themes,and it was also a difficult and challenging problem for flower and bird painters.In the 17 years since the founding of new China,flower and bird painters' national feelings and personal artistic ideals were interwoven,and in the transformation process of flower and bird painting themes,a strong sense of ambition and mission burst forth.This paper focuses on the induction and summary of writing angles of seventeen years after the founding of flower and-bird painting artist in the theme of exploration and transformation,in addition to the analysis of the top-down theme transformation under the policy guidance of flowers and birds painting,artists will also analysis the spontaneity to explore the theme of this period,as a key,the in-depth analysis of several of the modern Chinese leaders,with their huge social unrest in the confusion,pain and pressure,they generated or passive or active thinking to our national cultural context,the effort and earthly flower and-bird painting creation provides the positive impact and valuable experience,As well as from their deep to today's flower and bird painting theme transformation inspiration.This paper will list the typical phenomena of theme and semantic transformation of traditional flower-and-bird painting in this era,and finally analyze the breakthroughs brought by these cases,as well as the applicability of these methodologies to the creation of modern flower-and-bird painting and the parts that need to be improved.This paper systematically USES the method of data induction and the method of work data analysis to conduct in-depth research and analysis on it.The basic academic supporting materials mentioned are closely related to the important policies,events and important representative works during the period of 17 years from 1949 to 1966.In this paper,the first chapter is main introduction,respectively the second and third chapter focuses on the Chinese literary and artistic creation under the policies of various theme flower and-bird painting art direction,and with Chinese relations with the development of contemporary society changes the actual background,the Chinese theme flower on painters in the theme creation art exhibition is to explore the topic.The fourth chapter also summarizes the main points in the creative writing of flower-and-bird paintings in China,and summarizes the basic principles and creative rules of flower-and-bird paintings in the period of 17 years.The fifth chapter mainly focuses on the discussion of modern Chinese flower and bird artists in this thematic exploration we often need to pay attention to avoid some problems and some practical experience can be used as a reference.