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Study On The Record,collection And Acceptance Of "Zhang Qian Bei" In The Ming And Qing Dynasties

Posted on:2020-09-22Degree:MasterType:Thesis
Country:ChinaCandidate:W Q HuangFull Text:PDF
GTID:2415330620456937Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
"Zhang Qian Bei" is one of the classical stele of the Han dynasty that is highly respected by later generations.From the beginning of the Ming dynasty,there was little attention to this stele.Later,the practice of "Zhang Qian" calligraphy became more popular,and it has undergone several advanced changes.It is a question worthy of further study.This paper mainly focuses on the record,collection and acceptance of "Zhang Qian Bei" in the Ming and Qing Dynasties.The first part is mainly about the era background unearthed by "Zhang Qiang Bei",the related records of the Ming dynasty scholars on "Zhang Qian Bei",the advocation of calligraphy of "Zhang Qian Bei" proposed by some scholars and calligraphers in the middle of the Ming dynasty,and the study on the dissemination and collection of "Zhang Qian Bei" in the Ming dynasty,focus on the description of the record and collection of "Zhang Qian Bei" in the Ming dynasty.The second part expounds the attention of people to the "Zhang Qian Bei" in the early Qing dynasty.With the expansion and deepening of the visit to the stele in the early Qing dynasty,the excavation of some non-famous stele in the Han dynasty has successfully attracted the attention of scholars and calligraphers.In the early academic circles,the comments on the inscriptions and styles of "Zhang Qian Bei" were not uncommon.Moreover,the former "Stele Style" calligraphers group that headed by Zheng Fu and others,advocated the calligraphy of steles in Han dynasty,at the same time,the recognition and advocation of the calligraphy of "Zhang Qian Bei" reflected the developments of the Lishu calligraphy in the early Qing dynasty;the old rubbings of "Zhang Qian Bei" was widespreadly circulated at this time,and the extensive collection of the rubbings also contributed to the acceptance of "Zhang Qian Bei" in the early Qing dynasty.The third part is based on the scope of investigation of the Qianjia period and the later period of the Qianjia period,and studies the introduction of the "Zhang Qian Bei" in the corresponding period,includes the record,collection and acceptance;Taking the acceptance of "Zhang Qiang Bei" by calligraphers and scholars in this period as a case study,contribute to describe the development of the "Stele Subject" in the middle and late period of the Qing dynasty.The fourth part mainly focuses on the research of the reception,dissemination and evaluations of the "Zhang Qian Bei" in the late Qing dynasty,and analyzes the acceptance of "Zhang Qian Bei" in the heyday of the "Stele Style" calligraphy.Based on the record,collection and acceptance of "Zhang Qian Bei" by different groups in different periods,we can understand the development history of "classification" of "Zhang Qian Bei",and produce a clearer understanding of the development track of "Stele Subject" in the Qing dynasty.
Keywords/Search Tags:"Zhang Qian Bei", the Ming and Qing Dynasties, record, collection, reception
PDF Full Text Request
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