Qi Liangti's Poems And Their Acceptance And Imitation Research During The Ming And Qing Dynasties

The "Qi-Liang style",which had a especial rhyme scheme,was a kind of new verse that has been formed in Qi-Liang and popular in the early Tang.It was short in structure and mainly consisted of five words.Six words and seven words also appeared in the later period.The basic subgenres of "Qi-Liang style" were yung-wu,boudoir and reward,which caused a gorgeous style.Although regulated verse had come into being,there were still many works imitating "Qi-Liang style",from the high Tang to the Qing,which were innovative in subject matter and style.This paper takes the reception and imitation of "Qi-Liang style" in Ming and Qing Dynasties as the main research object.Before launching the discussion,the first chapter clearly defines the connotation and extension of "Qi-Liang style".Firstly,we use statistical method to analyze the three tones matching in the single sentence of Qiliang style poetry,founding that the mid-late stage of the Liang is the node of the relative transformation of the rhyme scheme from four-tone to binary opposition.Secondly,through the study of the "Qi-Liang style" this paper reveals the coexistence of "ancient style" and "new style" in Qi and Liang,as well as the characteristics of the couplet in landscape poetry.Finally,it defines "Qi-Liang style".and compares it with other verses.The second chapter discusses the reception on "Qi-Liang style" in Ming and Qing Dynasties.Firstly,which showed strong regionalism.The group of Wu poets in Ming Dynasty and the group dominated by Yang Shen in Yunnan and Sichuan were the backbone forces,which also affected the capital city through the imperial examination.In the early Qing Dynasty,Feng Ban in Changshu had a clearer definition and research on "Qi-Liang style",whose literature thoughts had profound influence on Zhao Zhixin,He Zhuo and others.Secondly,the reception in Ming and Qing Dynasties was also combined with academia.On the one hand,people in the Ming and Qing Dynasties thought that the emphasis of "Qi-Liang style" on the anecdotal parallels embodied the erudite knowledge of Qi Liang people,which was in line with the pursuit of poets in the Ming and Qing Dynasties with scholarly status.On the other hand,the rigorous academic atmosphere of the Qing Dynasty also made people use the method of academia to research poetry.Finally,the Ming and Qing Dynasties affirmed the inheritance of Qi-Liang,Late Tang and Xikun poems from the aesthetic point of view.The third chapter discusses the imitation of "Qi-Liang style" in Ming and Qing Dynasties.Firstly,Through statistics,it is found that the works of "Qi-Liang style" in the Ming and Qing Dynasties did not follow Yongming's "four tones" in writing "Qi-Liang style" poetry,nor fully abide by regulated verse,but had the characteristics of "abandoning poetry and deliberately committing diseases".Secondly,in addition to the basic subgenres,boudoir,rewardand landscape,in the Qi and Liang Dynasties,there were a lot of imitations,poems on objects and feelings in the in the Ming and Qing Dynasties,and their styles were more diverse.The reception and imitation of "Qi-Liang style" in Ming and Qing Dynasties embodied people's pursuit of pure aesthetics in addition to the mainstream literary thought based on morality.