Research On The Aesthetic Characteristics Of Shandong Dao Qing Opera

DaoQing opera in the development initial period in the form of song and dance to describe the story of Taoism and objectives,in the long history of evolution,innovative development,have mature and perfect performance art characteristics,its uniqueness and aesthetic also enriched the development of opera art,with current description art in more than 20 provinces and cities,in China,the large land was booming.As a successful model of combining religious culture and opera art.DaoQing opera is of great value to study the geographical differences,customs and customs,language styles and aesthetic characteristics of various regions in China.The formation of artistic varieties of DaoQing opera in Shandong province is closely related to the advantaged geographical and cultural environment,opera heritage and Taoist thought of Shandong province.Therefore,a system of DaoQing opera with local characteristics has been formed under the influence of various cultures in Shandong province.Among them Binzhou Zhanhua YuGu opera,Yantai Laizhou LanGuan opera,Zibo Linzi BaXian oprea absorbed the essence of DaoQing art,because of easy to understand is widely sung.DaoQing opera in Shandong province is divided into south,north and east.At the beginning of its formation,DaoQing opera,like DaoQing opera in the whole country,was shrouded in a layer of mysterious religious color and inherited the ideological connotation of Taoism.Taoism,as a school of thought in ancient China,began to sprout in the ancient period.After the accumulation of historical precipitation,Taoist thought gradually enriched and evolved.During the spring and autumn period,Laozi combined Taoist thought with the wisdom of his predecessors to create a complete Taoist thought.Taoist theory regards "tao" as the highest research point of philosophy,which emphasizes the use of "tao" to explore the relationship between life,society and nature,and holds that "tao" isthe highest practical truth on which human beings live.The tao is regarded as the only solution to human suffering.Shandong province as one of the earlier in our country have a drama activities,influenced by Taoist thought,created by the arts of people in the faith,on the basis of Taoist philosophy,sung Shandong opera,the audience was complied with the content and meaning of the people to pursue the will of the "tao",so Shandong opera happy as a kind of drama style.As a successful example of the combination of religious culture and opera culture,Shandong DaoQing opera is thriving on the sacred land of Qilu and returning to its former glory.Shandong DaoQing opera has a long history and rich connotations.This paper in reference,on the basis of predecessors' research results,with the cultural background of the development of Shandong DaoQing opera as the foundation,from the Angle of drama aesthetics,Shandong DaoQing opera research study DaoQing opera in the development of opera form evolution,the perspective DaoQing opera under the different areas of cultural ecological consciousness,exploring and analyzing "Zhanhua YuGu drama" "Laizhou LanGuan opera" "Linzi BaXian opera" each description art aesthetic characteristics,combing the origin of various opera style development,music form,singing form and the living condition in various historical stages.From a macro perspective,the origin,evolution,inheritance and development of DaoQing opera are deeply studied,and "history" is taken as the vein to explore the inheritance and development of Shandong DaoQing opera from the origin and evolution of DaoQing opera.All aspects from the Angle of microscopic analysis of Shandong description show,for "Zhanhua YuGu drama" "Laizhou LanGuan opera" "Linzi BaXian opera " performance form,play the content,form,art features,heritage protection in detail,and then to their respective art performance characteristics of cross-sectional study,and summarizes its similarities and differences.This paper takes Shandong DaoQing opera as the research object,the full text is divided into five main chapters.The first chapter is "the origin and development of Shandong DaoQing opera",which mainly explores the origin and development process of Shandong DaoQing opera from its spreading region and forming process.The second chapter is "the performance characteristics of Shandong DaoQing opera".It compares the similarities and differences of Zhanhua YuGu opera,Laizhou LanGuan opera,and Linzi BaXian opera in their performance forms and foot color,and then summarizes the performance characteristics of Shandong DaoQing opera.The stage beauty of DaoQing drama is simple and not much different from other opera arts.The third chapter is "the Shandong DaoQing opera music features",this paper discusses mainly the Shandong description show unique religious music characteristics,through contrastive analysis "Zhanhua YuGu drama" "Laizhou LanGuan opera" "Linzi BaXian opera " music system and different from other types and have them art sums up its peculiar aesthetic characteristics in music.The fourth chapter is "the connotation characteristics of Shandong DaoQing opera",which mainly compares and discusses the religious connotation,folk custom connotation and cultural connotation of Shandong DaoQing opera.The fifth chapter is "the inheritance and protection of Shandong description show",mainly elaborated in the context of "intangible" protection in the new century,Shandong description drama development present situation and predicament,and discusses in detail how to under the national policy to support the opportunity of a repeat of the past,for the protection and inheritance of Shandong description puts forward practical and feasible way to play,arouse people's emphasis on description play and protection,also hopes to provide avenues to draw lessons from the transformation of contemporary drama.