Study On The Watercolor Painting Of Dingsi Zhong

At the beginning of the birth of watercolor painting,it was subordinate to oil painting.Later,it became an independent art form because of its irreplaceable artistic language.Because the painting language and aesthetic taste of watercolor painting are similar to Chinese painting,it is in China after the introduction of watercolor painting into China.The rapid development and prosperity of the soil,coupled with the nourishment of nd jointly build Chinese watercolor painting in the world.Chinese quality and Chinese style in art.China's excellent culture,makes China's watercolor art different from other countries in terms of style and infiltration of the essence of Chinese culture.This is the result of Chinese national consciousness and Chinese culture subtly on watercolor painting.At present,China is already one of the world's largest watercolor countries,and the Chinese watercolor painter team is also a talented person.However,standing in the heights of the world's watercolor art,China's watercolor paintings still have their own limitations,and there is still a lot of room for development.To build the aesthetic height of Chinese watercolor paintings and to improve the quality of Chinese watercolor paintings,we need Chinese watercolor painters.Work together.Today's China has always emphasized the need to strengthen cultural self-confidence.Culture is the soul of a country and a nation.Chinese painting is one of the finest Chinese traditional cultures.It provides rich theoretical and practical experience for Chinese art creation.Chinese painting art To develop,we must also base ourselves on the foundation of Chinese traditional culture,and screen and absorb the excellence of the West to enrich ourselves.Mr.Ding Sizhong is a strong advocate and practitioner of “watercolor Chineseization”.This is a conscious pursuit of traditional culture by a painter,which has played a positive role in the development of Chinese imagery watercolors.As a literati-like Chinese watercolor artist,he has his own special cultural cognition of the ink language,so he consciously chooses to apply the expression of ink imagery to his own watercolor painting.And actively learn to absorb the nutrition of other paintings,he cherishes China's cultural traditions,goes deep into nature,comprehends life,boldly explores in watercolor painting creation,and constantly innovates,creating a unique watercolor painting with oriental aesthetic temperament.This is also the embodiment of cultural self-confidence in Chinese watercolor painting.The author analyzes his watercolor painting art based on the Chineseization of Ding Sizhong watercolor painting.I believe this is not my individual thinking about the small style in the field of watercolor painting,but I hope that the article can help to fully understand and understand the watercolor painting of Ding Sizhong.Art and "watercolor Chineseization" have reached the public recognition of the Chineseization of watercolor paintings by the formation of dots.Focusing on the research theme of "Ding Sizhong watercolor Chineseization",this paper is divided into four parts.The first chapter discusses the overall situation and development of Chinese and Western watercolor paintings and the artistic life of Ding Sizhong.The second chapter discusses the Chinese style of Ding Sizhong's watercolor painting.This is the core part of this research,and also the key chapter of the text.Through the study of the material techniques and painting language of Ding Sizhong's watercolor paintings,he explores the regionality of his works.Imagery,nationality,and the profound cultural connotations contained in the works.The third chapter analyzes and compares the watercolor paintings of Ding Sizhong and Wang Yumin.They are all Huizhou-style watercolor painters,which have positively influenced the nationalization of watercolor paintings,thus better presenting the artistic characteristics of watercolor paintings in Dingsi.The fourth chapter discusses the status and value of Ding Sizhong's watercolor painting art.He affirms his positive exploration and significance for Chinese watercolor painting.He believes that only bold exploration and brave practice are the source and driving force for the continuous development and prosperity of watercolor painting.Finally,I made my own thinking and prospects for China's "watercolor Chineseization",and called on the Chinese watercolor painting family to work together to recognize the advantages and limitations of Chinese watercolor painting,fully absorb the essence of Chinese excellent culture,break through the bondage,a...