An Exploration Of The Performance Techniques Of Hu Qin's Timbre Painting "Riverside Scene At Qing Ming Festival"

The painting "riverside scene at Qingming festival" by Zhang Zeduan,a painter of the northern song dynasty,vividly depicts the city of Bianjing(today's Kaifeng city in Henan province)and the life of the people at that time,which carries the unique artistic temperament of the ancient Oriental nation and has a long history of 5,000 years.In 2005 Mr Shi Zhiyou created for us on the Qingming festival pursues "the urheen divertimento,composer will premiere in great ways and symphony orchestra,choir,Chinese ethnic Musical Instruments together,to apply Henan local music style of the music works,also absorbed the Henan local opera music,make the painting lifelike,vividly displayed in front of the audience.In the works,the cooperation between modern Huqin and orchestra,the display of stage sound effects,the development of performance forms and the new exploration of performance techniques are deeply loved by the academic circle and the audience.This is not only a good inheritance but also a good way to show the world the excellent culture of our ancestors,carry forward the national culture,and let the modern people get to know the ancient people from the perspective of the ancient people.This is a good way for modern Chinese ethnic instrumental art to go global and show the charm of China's quintessence to the whole world.Through the analysis of Henan musical style and the discussion of musical performance techniques,this paper makes up for the deficiency in the theoretical research of the work "riverside scene at Qingming festival",shows the unique charm of modern Huqin works and explores the significance and artistic value of "riverside scene at Qingming festival" in the performance art of Huqin.