Animation Studies Of Mongols

Since the 21~st century,the inensification of globalization has brought about rapid technological development and cultual shaocks.With the rapid and extensive dissemination of information on internet under the new media technology,competition between nations has become no longer just a unilateral collision but a omni-directional competition with excavating natioanl cultural styles as the key piont.However the weakness of dmestic animation industry has aroused the attention of our country,and a series of policies have been put forward to support domestic animation industry,while there are still some problems needing to be solved.Under the pressure of the huge gap between domestic and foreign animations,Chinese animation has developed unsmoothly.Although,in the past ten years,the amount of animational products of China has become the first in the world with the animational technology greaty improved,the achievements have not reached the anticipation.In order to find the original intention of animation of China,the original national styles have once again been valued.Grassland cuture as one of the three major Chinese cultures showing the nomadic life of the grassland in Mongols has been moved to screens by animation,which is a contribution to Chinese animation and makes it become a culturally combined one.The thesis has collected the existing Mongolian animation,described the background and the content of the animation,interpreted the characteristics of Mongols'animation art,and explored the embodiment and application of Mongols'animation theory.The national animation of Mongols,as an important carrier of culture of Monglia,has been looking for the connecting point between Mogolian culture and animation art,which is helpful to make Mongolian culture go forward.