Four Groups Of Relationships In The Study Of Contemporary Chinese Science Fiction

Science fiction is the abbreviation of "Science fiction".After being introduced to China in the late Qing Dynasty,science fiction fiction experienced a tortuous process of sinicization.The origin of the national surgical illusion works is early,the system is sound,and the market is broad.Therefore,the research results on science fiction novels are quite abundant,forming a relatively complete theoretical system.In recent years,with the development of the Chinese science fiction market,the translation of the national surgical magic theory has been introduced,and China’s science fiction theory research has also made great progress.However,due to the late start of science fiction in China,the position of the science fiction market is relatively vague,so the criticism of science fiction in China is less likely to form a complete theoretical system.The review of science fiction is more common in the analysis of a writer and works..This paper focuses on the study of contemporary Chinese science fiction novels.Based on the collation and combing of some representative literary criticism articles,this paper discusses the controversies and core problems in the research of science fiction from four sets of opposite conceptual relationships.This article is divided into four chapters,four chapters,to explore the four pairs of relationships in the study of science fiction.The first angle starts from the definition of science fiction,discusses the boundary between science and fantasy in science fiction,and believes that the biggest difference between science fiction and reality is the level of development of science and technology,but science fiction cannot be equal to science.On this basis,the concept of "future" and "history" described by science fiction is closely related.The profound social criticism of science fiction comes from its ability to stand in the "future" and "now".In addition,the future fantasy of science fiction has another type of utopian text that focuses on "social fantasy." The second angle is writing identity,exploring why the position of science fictionhas been “occupied” by male writers,the outstanding performance of female science fiction works in the field of science fiction,and the unique masculinity of science fiction.The third angle is the ideal readership of science fiction,which is a diachronic analysis from the three dimensions of value judgment,aesthetic characteristics and media influence of science fiction.It is believed that the setting of ideal readers after the introduction of science fiction novels has changed several times.It is affected by these three dimensions.The fourth angle analyzes the purpose of science fiction writing from two aspects: the elegance and the pursuit of imagination and the possibility of enlightenment.