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Fashion,Consumption And Discourse

Posted on:2021-01-15Degree:MasterType:Thesis
Country:ChinaCandidate:J RenFull Text:PDF
GTID:2415330620962191Subject:Press and Communication
Abstract/Summary:PDF Full Text Request
As an important mass culture communication medium,cinema space has been endowed with multiple cultural connotations from the traditional screening hall to the modern informationized film hall.Visual culture to provide opportunities for the development of cinema space construction,the sensory needs are to "see" and to a higher level,promote update iteration of modern communications technology,as well as satisfy visual consumption resolution of image deep narrative text,the context of a consumer society of the cinema space realized from the function existence to a radical shift in landscape sexual expression.In the construction of cinema space culture,the following cultural representations are presented: first,the cookie-cutter spatial layout,the differentiation smoothed by the commonness,constitutes a relatively stable spatial cultural style;Secondly,the modern cinema space is constructed as a signified space for spiritual enjoyment and emotional sustenance,which enriches the cultural connotation of the cinema space.Finally,with the help of the space carrier of the cinema,the power discourse in the space completes the natural transition from the crude political power to the mild cultural ideological norms,and is the deep discourse logic from the body intervention to the spiritual field.To understand the spatial cultural patterns is to better guide the practice of the subject.From the representation of spatial culture to the experience of spatial culture,the experience culture acting on the subject is the fundamental to trigger the cultural phenomenon in the space.The inducing link of experience lies in the realization of the aestheticization of daily life and the continuous flow of diversified aesthetic tastes.When an individual enters the cinema space,it is as if he/she enters an image mall and is immersed in the narcissism of selecting space goods.This becomes the main link of experience and he/she can obtain self-satisfaction in the consumption experience of space.The final part of the experience is to realize the sublimation of the experience by virtue of the ritual sense of group watching movies,and the sense of group belonging of sharing a screen brings profound cultural memory.People no longer watch movies because they need movies,but return because of the "call" of the group.Thus,draw into the cinema is the root cause of the collective public viewing cultural experience to satisfy,specifically can be thought of as viewing the unusual atmosphere,behind the cultural metaphor is "a few" made the dark space under thecollective dreamworks,surreal to participate in,and through the visual spectacle of culture that most viewers perceive more direct impact,visual pleasure in the power system into a more moderate space,which will induce the internalized desire for personal needs,in the visual pleasure in the impact of false ego.A few people who made the most of the people's cultural demand,let everything looks in order,this is the landscape appearance,but the individual seeking the thought liberation at the same time feel spiritual emptiness,visual orgy body resistance loss of consciousness,is behind the daily aesthetic culture popularization also creates aesthetic generalization,on the day of the loss of deep thinking must be shallow level the popularity of pleasure,various cultural paradox in the movie theater space thought-provoking.
Keywords/Search Tags:cinema space, landscape society, experience, power culture, space culture
PDF Full Text Request
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