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Plant Patterns In The Tang Dynasty Dunhuang Murals In Huizhou Rhino Skin Paint

Posted on:2021-03-08Degree:MasterType:Thesis
Country:ChinaCandidate:W J ZhangFull Text:PDF
GTID:2415330620965361Subject:Art and design
Abstract/Summary:PDF Full Text Request
The Mo Kao Grotto at Dunhuang is a treasure in the treasure house of oriental art,and it is a sacred place for Buddhist art in China.As part of the Mo Kao Grotto at Dunhuang,it is worthy of my research and creation.The Tang Dynasty is an open era.Fearless The introduction and integration,and the breakthrough of tradition,make the Tang Dynasty present a scene of extremely inclusiveness and coexistence of multiple cultures.This phenomenon acts on the art category,which also includes the effect on plant patterns.Lacquer work is a brilliant pearl in the treasure trove of Huaxia art and culture.Huizhou rhinoceros lacquer is a traditional Chinese handicraft and a national intangible cultural heritage.Huizhou is known as the "Sea of Cultural Relics" and Huizhou rhinoceros in Huangshan City,Anhui Province Lacquer is also unique in China's paint industry.This thesis is divided into five chapters.The first is the purpose and significance of the topic selection.It summarizes the plant patterns in Dunhuang murals in Tang Dynasty and the current status of Huizhou rhinoceros paint.Then it analyzes the characteristics of plant patterns in Dunhuang murals in Tang Dynasty and Huizhou rhinoceros.The characteristics of leather paint.This concludes how the Dunhuang murals in the Tang Dynasty are related to Huizhou rhino skin paint,and what kind of sparks they will collide with.The third part is to carry out artistic practice to extract the plant patterns in the Dunhuang murals in the Tang Dynasty.Designed and combined with the Huizhou rhino skin lacquer process,designed practical works with rich texture changes.Based on the inheritance and promotion of traditional Chinese culture,explore the possibility of combining Huizhou rhino skin lacquer with a variety of subjects and materials.Through the use of plant patterns in Dunhuang murals in the Tang Dynasty,I realized any kind of art model If evergreen is constantly developing,so is the Dunhuang frescoes,and so is Huizhou rhinoceros lacquer.Our artistic creation today is even more so.It is necessary to continuously draw nutrients from China's excellent traditional art and adhere to innovative practices,so that our Only then can artistic creation continue to advance with the times.
Keywords/Search Tags:Huizhou rhino lacquer, Dunhuang frescoes in the Tang Dynasty, plant patterns
PDF Full Text Request
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