Analysis Of The Performance Of Pipa "Overlord Off Armor" Under The Cultural Narrative View

The theory of music narrative under the view of cultural narrative is developing gradually,and as a new music analysis theory,it greatly expands the analysis angle of music works.As one of the representative works of the traditional wu-song,"Overlord" takes historical facts as the background of creation,and adds a segmented subheading to the music to divide the musical passages,which makes its narrative features particularly prominent.At the same time,in the long-term inheritance process of "Overlord Unloading",different schools have interpreted it,in which the Pudong school in the process of interpretation is very good into the characteristics of the genre,highlighting its playing style,making it very representative;The adaptation,on the basis of preserving the original style of music into a lot of personal music characteristics,with the traditional version of a more obvious change.Therefore,this paper from the micro-angle of cultural narrative,and choose the Pudong version and Liu Dehai playing version,the famous song"Overlord" carried out narrative analysis and discussion.