The Research On Liang Zhangju's“Testing The Law”

In the Qing dynasty,with the restoration of the system of the imperial examination poems,a large number of critical works on the examination poems also appeared.Under the influence of this trend,Liang Zhangju collected and criticized the ancient and modern works on The imperial examination regulated poetry and compiled them into this work.The book is divided into eight volumes,covering various aspects of the imperial examination in the Qing dynasty.It is of great reference value for the study of the imperial examination culture in the Qing dynasty.This paper is divided into five parts.The first part is the introduction,this part is to try Tang Qing two generations law research situation as well as the study of the Liang Zhangju works for an overview,which we found Liang Zhangju about imperial examination of the two works try law plexus words,"made art from the words" research of predecessors are one has brought,not deep inside,that is what this paper selected topic source since.The first chapter is the second part of this paper,which mainly discusses the reasons for the book.Starting from the influence of the re-establishment of the system of imperial examination and trial poetry on trial poetry in the Qing dynasty,this paper gives an overview of the background of the book.At the same time,the development of the idea of "preserving people by poetry" in the Qing dynasty was reviewed,and its influence on the making of the book "the words of trying the law" was investigated.The third part is about the trial law view of the trial law group.Combined with the specific criticism of Liang Zhangju et al.'s poems in the tang dynasty,this paper summarizes the creation theory of the poems from five aspects: distinguishing the style,examining the topic and meaning,bouguer,refining the words and sentences,and refining the spirit and refining the spirit.Therefore,it is concluded that Liang Zhangju's goal is to bring it into the category of ancient and modern poetry,and his goal is to turn from "law" to "god".Liang Zhangju also introduces the two concepts of the Qing dynasty people trying the criterion of poetry and the criterion of poetry.The fourth part summarizes the criticism of the trial law group.The specificcriticism of the trial law group cluster mainly focuses on the Tang and Qing dynasties.Liang Zhangju's criticism of trial poetry in tang dynasty,represented by Qian qi's works,presents the pioneering contribution of trial poetry in the whole history of trial poetry in Tang dynasty from the perspectives of "law" and "artistic conception".Liang Zhangju's criticism on the trial of law in the Qing dynasty,taking the "positive" and "change" created by Ji yun et al.,as the typical example,explained that the new artistic conception,the secret of the exercise and the combination of work were the embodiment of the Qing dynasty's trial of law poetry surpassing the Tang dynasty's trial of law poetry.In the concluding part,the author focuses on the change of the pattern of criticism from Ji yun to Liang Zhangju,and discusses the specific connotation of the pattern of criticism,the reason why he formed the pattern of criticism and the influence on the book.