From Viewing To Experience:the Evolution Of Chinese Contemporary Art Exhibition Since 1990 And Its Curatorial Thinking

Since the 1990 s,Chinese contemporary art has gradually exhibited new elements and new features,and exhibitions with new experiences in multiple dimensions have taken place all over the country."Contemporary" is actually a historical stage concept.In the cognition of Western art history,many scholars refer to the history after the famous French Revolution in 1789 as the source of Western "contemporary".In China,there are divergent opinions about the "contemporary" boundary.Up to now,many scholars have generally agreed that the establishment of New China in 1949 is regarded as the beginning of the history of contemporary Chinese art.After being influenced by Western modernity,Chinese art exhibitions have undergone tremendous changes in terms of the artist’s appearance,creative content,exhibition form,and exhibition theme.The development of art to today,in addition to the traditional Chinese painting art,more arts such as: installation art,performance art,video art,AI painting,intelligent programming and other new technologies have enriched the category of art,and the artist’s creative methods have become multidimensional It is also experimental in nature,and the function and field of the exhibition will also change dramatically.The "multidimensional opening" exhibition provides important clues for investigating the sound of contemporary art.This thesis will focus on the "evolution of exhibitions after modernity",reexamine contemporary art exhibitions,think and work hard to construct new ideas and new methods,and discuss the impact and impact of Chinese contemporary art after its emergence from Western modernity.The resulting exhibition discusses the evolution of the field concept of Chinese contemporary art exhibitions,and studies the expansion of Chinese contemporary art exhibitions and the field concept evolution since 1990.This article is mainly divided into five parts: the introduction mainly explains the background,significance,methods and composition of the research;the first part elaborates the origin of Western modernity,initially understands the face ofcontemporary art exhibitions,and understands its importance to the development of contemporary Chinese art Enlightenment significance;the second part analyzes the influence of modernity in China and the enlightenment and development context of Chinese contemporary art in the 1990s;the third part discusses the changes in contemporary art exhibitions since 1990,the art presentation under the impact of modern philosophy,new media The influence of the intervention of the exhibition on the exhibition;through the investigation and inspection analysis of the famous exhibition cases since the 20 th century,the "intervention" and "interaction" of installation art and new media,the exhibition form of art intervention in the public,from content to form to venue Expansion;by investigating the exhibition tendencies and cross-border cooperation of famous art museums,analyze the multi-dimensional concepts and influence of the exhibition;the fourth part discusses the coexistence of the differences between contemporary art exhibitions and traditional art exhibitions,and its strategies for the contemporary Chinese contemporary art context Analysis and reflection on exhibition trends;the conclusion summarizes the The important role and significance of artistic development and social development,and hopes to continue to practice and understanding,have a correct understanding of the future development of contemporary art exhibitions,and contribute their efforts for the development of Chinese art culture.