Research On The Space Narration Of Mongolian Theme Movies Since 2000

The Mongolian-themed movies have been fruitful after decades of development.As an important part of the history of Chinese film,its regional and national characteristics have constructed a unique film space and played an important role in the image.This article focuses on the space of Mongolian-themed movies since 2000.Taking the film's narrative space as the research object,this article analyzes the film's narrative space to explore the skills and characteristics of space-narrative in Mongolian-themed films.The upsurge of "space turning" that emerged in the 1990 s has led scholars to shift their studies of film narrative from focusing on time to studying space.As the modernization process continues to accelerate,space has played an increasingly important role in Mongolian-themed movies since2000,beginning to assume certain narrative tasks,and forming the spatial narrative characteristics of Mongolian-themed movies.This article is divided into four chapters.The first chapter briefly summarizes the development track of Mongolian-themed movies and discusses the innovations of Mongolian-themed movies since 2000.At the same time,it defines the concept of space narrative,expounds the concept and connection of space and narrative,and analyzes the narrative space and space narrative in movies.Space narrative is completed on the basis of narrative space.It can be said that the analysis of film narrative space is a method of conducting spatial narrative research.Therefore,the second chapter mainly classifies the presentation of narrative space in Mongolian-themed movies.The film is divided into geographic space,social space and spiritual space.Geographical space shows the homeland of the Mongolian people,social space shows the picture of Mongolian life,and spiritual space contains the cultural core of the Mongolian people.The third chapter mainly classifies and analyzes the spatial narrative theme of Mongolian-themed movies,summarizes them into four types,and expands the elaboration.The fourth chapter analyzes the space narrative skills and functions of Mongolian-themed movies.In the construction of visual space,the film shapes a set of contrasting spatial forms through colors and scenes,and usesa large number of national images for symbolism and metaphor.In the processing of auditory space,the film uses a lot of national music and national musical instruments to enhance the narrative appeal of the film and render the space atmosphere.At the same time,minority-specific sounds appear in the film,enhancing the authenticity of the narrative space.In Mongolian-themed films,space also plays a role in explaining the background of the story and promoting the development of the plot;carrying symbolic metaphors,deepening the meaning of the picture and shaping the character of the characters,and enriching the meaning of the characters.Through the analysis of the space narrative in Mongolian-themed movies,this article attempts to explore the changes and laws of Mongolian-themed movies from 2000 in a new perspective and explores its cultural connotation in the space-narration of Mongolian-themed movies.