The Eternal Truth Of Art

The end of art is a question of modernity,a discourse of modernity produced with the Rnlightenment,the French Revolution and the Romantic Movement.The end of art is not the death of art,in the dark of be materialized era,art according to the change of the social environment change,but still have attributed to its artistic essence.The end of art follows the discourse mode of aesthetic modernity.While criticizing and negating traditional aesthetics and modern society,it also responds positively to the crisis of modern art and expresses a critical value standpoint.In this paper,the research object is Schopenhauer,Nietzsche,and Adorno's music aesthetics,music aesthetics,the study of the three,deals with the most were adorno's music aesthetics,music aesthetic thoughts of Schopenhauer and Nietzsche's argument is only a few articles,also almost no scholar from the dimension of time line to the development of the three music esthetics thought.herefore,this article attempts to classical aesthetic to the modern socialist transformation of the development of the historical perspective,by Schopenhauer,Nietzsche,Adorno interpretation of specific music aesthetics reveals in capitalist modernization,art's ontology,epistemology,axiology and the specific content and form of change is adapted with the development of social environment,is the inevitable result of modern historical change.And through the eternal "Existenz-Sein" theory of truth of art to respond to the end of art,art reveals the meaning world of man and the world.Art and aesthetics in the current society not only will not end,but are existing in anew form and content,and have a unique value of The Times.This paper consists of three parts: Introduction,Text and Conclusion.The introduction mainly explains the basis and significance of this thesis,the research review of music aesthetics thought of Schopenhauer,Nietzsche and Adorno,as well as the basic ideas and shortcomings of this thesis.The first chapter of the text is mainly to Schopenhauer,Nietzsche,Adorno three music aesthetic thoughts to explain.Schopenhauer believes that music is the direct manifestation of the Will,that the essence of Nietzsche's philosophical foundation "Will to Power" and "Dionysian spirit" are generated from music,and that the negative essence of Adorno's music aesthetics is closely related to his philosophical theory "Negative dialectics".Thus it can be seen that in the process of modernity,art has not come to an end,but has acquired a more powerful spiritual essence and a status comparable to that of philosophy.The main content of the second chapter is to explain the development and change of ontology,epistemology and axiology of Schopenhauer,Nietzsche and Adorno's music aesthetics,so as to explain the construction and transformation process of aesthetic art theory in the process of modernity.In Ontology,the three embody the transformation from monistic subject to pluralistic subject;In the Epistemology,it embodies the epistemology from the tool rational cognition to the human subject perceptual and rational coexistence;in the Theory of Value,it reflects the traditional spiritual aesthetics without practice to the spiritual aesthetics combined with practice.These changes in music aesthetics are accompanied by the awakening of man's subject status,and the ontological relationship between man and the world has become the main focus of art.The third chapter begins a brief exposition on the truth of "Existenz-Sein" of modernity art.All three aesthetic values of music aesthetics are closely related to human existence.The true essence of art lies in the manifestation of the subject of a person's interaction with the world.The world of meaning,the negativity spirit of music art in the modernization process is the essential revealing of the living conditions of the current people,it is the resistance to the compulsory manipulation ofthe identity ideology,and makes people recognize their alienation status and the essence of existence.Strive for a truly free and meaningful world.