Research On The Theory Of The Tone And Rhyme Of Yongming

The theory of melody in the age of Yongming was a normative and “Four-Tones”theory put forward by Shen Yue in the period of Qi and Liang Dynasties.It pays attention to the formal beauty of the poetry language combination,and promotes the poetry creation to change from the natural rhythm to the artificial rhythm,and pays more attention to the form.In addition to,paying attention to the content,in this period,the creation of poetry paid more attention to the length and short;antithesis;Four-Tones;Level and Oblique Tones;rhyme and other poetic sounds and physique.The creation of a large number of “Yongming style” new poems by Shen Yue et al.,was the result of the practice of Yongming theory.About the causes of the Yongming rhythmic theory,academic circles have different understanding,which will be from the viewpoints of both foreign and domestic,for various reasons put forward by the academic circles at present classification comparison research,so they points out the advantages and disadvantages.It is concluded that the formation of the rhythmic theory of Yongming,because of its complex social,historical,political and cultural reasons,and presents the subjective and objective.The mutual influence of internal cause and external cause as a result,and is not one single reason for the result of the decision.“Four-Tones and Eight-Diseases” as the core content of the rhythmic theory of Yongming,is the focus of Yongming significances of research,as a particular tone of Chinese characters “Four-Tones”,first appeared in Qi and Liang years.However the knowledge of the Chinese characters a tonal for people far earlier than Qi and Liang before.The people has been awareness of the sounds of Chinese characters,to music“palace” for generation refers to voice,at the time of Shen Yue and Lu Jue,Liu Xie,and so on,exploring the influence of language sounds,voice on behalf of the Chinese characters for “tune” described in the literature.Many scholars believe that the“Eight-Diseases”are not directly formed in Qi and Liang period,but by the“Eight-Diseases” development Qi and Liang period to the Sui and Tang dynasties,it gradually formed “Eight-Diseases” of complete understanding.The author based on the records in “ the secret mansion of Wenjing”,after the conclution people about thenew “rhyme”,“Four-Diseases” related.Therefore,that is to say the “Eight-Diseases”produced in the period of Qi and Liang,because of the “after Four Diseases”didn't important and urgent than “front Four-Diseases”,so they hadn't been remembered by history books,“after Four-Diseases”even in the Sui and Tang dynasties,also had not been paying more attention to.This is documented on “the secret mansion of Wen Jing”.The understanding and cognition of the theory of the tone and rhyme of Yongming was not limited to the pure category of poetic theory,but to the comprehensive consideration of other disciplines,because poetry,as a work of literary and artistic,is closely related to music,aesthetics,phonology,language,phonetics,dialect and other disciplines in the process of creation.Therefore,the cognition of Yongming theory can be from the perspective of its relationship with other disciplines,especially music and aesthetic.The theory of the tone and rhyme of Yongming not only directly affect the formation of a certain,prompting woo poem to poetry,finalize the design of modern style poetry in the tang dynasty,also played a key role,had an effect on more of“Yuan verse and Chinese Song Poems”and so on.The rhythmic theory contribution in the development of Chinese ancient literature is positive,it makes since Qi and Liang poem text words,such as literature has the features of the rhythmic;also make the later literature creation has the characteristics of the formal beauty in form of be particular.About it Limitations on content and emotional expression should still be held in a critical attitude.