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The Research On Slangs Of Lamp Records Of Zen Buddhism In Tang And Song Dynasties

Posted on:2020-12-30Degree:MasterType:Thesis
Country:ChinaCandidate:L Q TaoFull Text:PDF
GTID:2415330623952702Subject:Chinese language and literature linguistics and applied linguistics
Abstract/Summary:PDF Full Text Request
A slang is a term that uses eulogies or has a clear meaning in semantics,including words,phrases,and partial short sentences.Through sorting out seven kinds of lamp records of Zen Buddhism in Tang and Song Dynasties,namely "Zutang Ji","Tiansheng Guangdeng Record","Jiazhong Yasukuni Continued Lamp Record","Jiataipu Lamp Record","Jingde Chuandeng Record","Lianliang Huiyao" and "Wudeng Huiyuan",it is found that the lamp records of Zen Buddhism in Tang and Song Dynasties are based on the common language of Tang and Song Dynasties,and can be divided into origin,character,appearance,curse,curse and so on.Livestock,ghosts and gods,objects and so on.Zen monks can be regarded as a speech community.The social factors affecting the Zen Lamp Record language in Tang and Song Dynasties include the social background of Zen members,the production mode of Zen monks,gender and dialect.The use of Chan language violates the quality,attitude,manner and related principles of the principle of cooperation.The reason is that Chan communication is driven by "purpose-intention" rather than the principle of cooperation.From the perspective of pragmatic value,the use of pervert in Zen Buddhism records has the function and function of "acting with words" to prompt and alert scholars.The reasons for the abundant and pervasive language of Chan Lamp Record lie in the language attitude of Chan monksand the enrichment and infiltration of secular language.
Keywords/Search Tags:Lamp records of Tang and Song Dynasties, slang, sociolinguistics, speech community, principle of cooperation, speech act, purpose-intention mode
PDF Full Text Request
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