A Study On The Theoretical Discourse Of Music Performance In Song Dynasty

“The construction of music theory discourse system”is a hot research direction in the current academic circle.In the process of learning,the author has a strong interest in the Song Dynasty music performance theory discourse,and will write a paper on this topic.The main content of the paper is divided into four parts:In terms of the theoretical discourse of singing performance,the author classifies and summarizes the singing theories in historical books and note novels,analyzes their connotation,probes into the relationship between “words” and “cavity”in singing,and studies the aesthetic standards of singing at that time.In terms of the theoretical discourse of song and dance performance,the author summarizes the popular song and dance categories and technical terms,analyzes the musical nature of the “Deshou Palace Dance Notation ”,and explores the song people's aesthetic view of song and dance.The theory of instrumental performance can be divided into two aspects:instrumental ensemble and Guqin solo.In the aspect of instrumental ensemble,it analyzes the combination form of instrumental music and the musical performance style of instrumental music.In the aspect of Guqin performance theory,it is concerned about Song people's “Qin virtue”,the effect of learning Qin and the aesthetic content of Qin.The content of other performance theories is the study of terms related to music performance,including the organization of music performance,music performance system,folk music performance activities,and the content of the appellation of musicians,to explore their impact or significance on Song Dynasty music performance.