Research On The Structure Of Thang Hka Mounting

Thangka mounting is the medium for protecting and presenting Thangka.It is the common construction of religious cultural psychology and visual thinking of believers and craftsmen,and it has dynamic connotation of mutual mapping and feedback.This article takes the diachronic study of Thangka as the logical main line of argument.According to this research idea,the focus of the discussion is gradually on the aesthetic research of Thangka modeling.The analysis of installation technology,history,current situation,shape,color,etc.is the supplementary material of this research.In the end,we strive to put the analysis and research of Thangka mounting into a multi-dimensional cultural field,which is the simultaneous communication between static aesthetic presentation and dynamic cultural connotation.Through the contents of the first chapter "Tangka mounting techniques" and the second chapter "Tangka mounting history",the article briefly summarizes the history and current situation of Tangka mounting;the third chapter briefly describes the religious culture contained in the mounting Connotation;Chapter fourth "Colors and Shapes of Thangka Framed",began to put the research perspective on the body of the framed form;The contents of Chapter 5 "Aesthetic Study of Thangka Shape" and Chapter 6 "Production Process and Craftsman" transfer the research of ontology to the research of subject in the form of a frame.Through analysis and research,it is found that the Tangka mounting system is the product of historical and cultural changes,and is also a concentrated manifestation of the Tibetan aesthetics.Today,the changes and development of Thangka installations have gradually separated from Thangka art,and are more dependent on the comprehensive development of the producers.