Font Size: a A A

A Study On The Poetics Of Fei Ming

Posted on:2021-01-01Degree:MasterType:Thesis
Country:ChinaCandidate:X Q WangFull Text:PDF
GTID:2415330623979952Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
Fei Ming's poetics is within the category of authorial essays,including Talk of New Poetry,Lecture of The Books of Songs,Du Fu Theory,Poetry of Du Fu and other reasoning proses on poetry.The study of his poetics in the educational circles is mostly to analyze and reinterpret the poetic theory in Talk of New Poetry without deep analysis of the literary value in the poetry texts and systematical coverage of the rational content in all the poetics.This passage will first make a study on the style of the poetics and the artistic nature of discourse,and then serialize the theoretical content of it and explain its academic value as a whole.The literary value of his poetics lies in the traditional paradigm of its poetry criticism.The style of the poetics is mainly the "selecting style" criticism commonly in Chinese classical literary criticism,which is both "literary criticism" and "criticism literature".The way of thought and critical discourse of the poetics are common in Chinese classical literary criticism-the Confucian "interpreting" and Tao and Zen "theories in witnessing" and "clearing mind and disclosing nature" as the way of thinking into literary aesthetic way.The overall impression-style appreciation or individual excerpts and citations are made together with the use of the intellectual world to compare each other.The ancient poetry criticism is mainly about "poetic statements" and "poetic theories" in the critical form of prose or rhyme.so is the Dei Ming's poetry theory,which can be seen as a vernacular prose,and the words of the poetry are in the same origin with the exclusive literary style of anecdotes and the profound integration of poetry.The structure is established under poetry criticism and poetic interpretation.His early poetic view consists in the concept definition of the new poetic paradigm and the method of guiding the creation of new poetry.In the retracing of ancient Chinese poetry,he formed the assumption and definition of the new poem "quality" and "text" — "the content of the poem" and “the characters of the prose”.The former is the basis for the development of the new poem in the poetic quality of the late TangDynasty "Wen Li" school,while the latter is the modern transfer of the traditional poetic quality;In addition,he argued that the creation of poetry should be consistent with the principle “freedom and law in equal position” and he gradually separated from the aesthetic taste of the poetry tradition itself moving to the significance of the external role of poetry on the reality,life and people.The poetic theory already includes the category of sociological criticism with emphasis on the intervention of reality and ideological criticism on ethics and morality,which is a new exploration of the function of poetry.The contrary one is the shift of his poetic stance for he expelled the label of his "intellectuals" to adapt and identify "national identity" and devoted his literary efforts to the people,which is a political transformation and a result of his personal choice.
Keywords/Search Tags:Literary value, Traditional critical paradigm, Academic value, Poem text, Poem quality, Poetry theory
PDF Full Text Request
Related items