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Study On Taishan Shadow From The Perspective Of Urban Ethnomusicology

Posted on:2021-03-25Degree:MasterType:Thesis
Country:ChinaCandidate:J Z WangFull Text:PDF
GTID:2415330626455449Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Taishan shadow originated from the Taishan cultural circle,the earliest can be traced back to Mount Tai on the Taoist ritual music,through the continuous changes in history and the continuous development of society spread into the folk and rooted in the foot of Mount Tai Taian City,forming a different style of shadow play art form and serve the local ordinary people.Whether in the past of relatively scarce cultural and recreational activities or today of cultural interconnection,Taishan shadow is active on the city stage with its unique artistic expression and inheritance pattern of keeping pace with the times,which greatly enriches the spiritual and cultural life of citizens and evokes the contemporary city by means of "living inheritance".The people's spiritual pursuit of Chinese excellent traditional culture has strengthened the confidence of socialist culture with Chinese characteristics.The acceleration of urbanization is a great challenge for many traditional folk music.After Taishan shadow was listed in the national intangible cultural heritage list in 2006,its development in the process of urbanization ushered in new opportunities.In order to adapt to the social characteristics,market economy characteristics and audience demand characteristics of the new era,Taishan shadow has carried out many reforms and transformations in the process of urbanization.From the change of art to the active exploration of inheritance and development mode,it promotes the development of Taishan shadow in the new era,and makes Taishan shadow a successful transformation of Chinese traditional folk music in the process of urbanization Typical cases.From the perspective of urban ethnomusicology,this paper analyzes and studies the Taishan shadow from the aspects of micro-artistic reform and macro-development,using the mode of article is divided into four parts:The first part is "The overview of urban ethnomusicology".This part gives a brief overview of the construction and research contents and research methods of urban folk musicology.According to the theoretical framework ofurban folk musicology as the subject foundation of the urbanization research of Taishan shadow,it makes clear the necessity of the urbanization research of Taishan shadow,and lays a theoretical foundation for the micro-and macro-level contents of this paper.The second part is "Taishan shadow source flow test ",this part through combing several origin hypotheses of Chinese shadow,find the intersection point with the origin background of Taishan shadow,clarify the historical origin of Taishan shadow,and briefly discuss the history of contemporary examination of Taishan shadow and the cultural space relying on Taishan shadow in history.The third part is "The art evolution of Taishan shadow in the process of urbanization ",which is based on the micro level of the transformation of Taishan shadow in the process of urbanization.Through the double window comparison method,the traditional Taishan shadow art form is compared with the reformed Taishan shadow art form,so as to connect with the history,and have an objective and complete understanding of the " traditional form" and " modern form " of Taishan shadow.The fourth part is "The development road of Taishan shadow in the process of urbanization ",which is based on the macro level of the transformation of Taishan shadow in the process of urbanization,analyzes the development road of Taishan shadow in the three stages of urbanization layer by layer,and focuses on combing and summarizing the concrete measures implemented in the stage of industrialization development.As a traditional folk music art in China,Taishan shadow has not been separated from the urban culture and ecological environment since its birth.Therefore,based on the methodology of traditional ethnomusicology,it should be combined with the characteristics of urban culture and ecological environment,contemporary urban citizen's cultural needs,through the "diachronic" and "synchronic" level of the overall comparative study,in order to obtain the successful transformation of Taishan shadow in the process of modern urbanization.
Keywords/Search Tags:Urban ethnomusicology, Taishan shadow, Art Change, Development road
PDF Full Text Request
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