The Analysis And Performance Of Dittersdorf's Bass Concerto In E Major

Dittersdorf was a prolific opera composer and instrumental composer in the Classical period.His works run through the entire development of the Viennese Classical School.Among them,the "E major double bass concerto" is One of the representative of classical style double bass music.This thesis takes the "E major major double bass concerto" as the research object,through the interpretation of the composer's work style,scores analysis,comparison of the performance of recording versions,master the style characteristics and performance characteristics of classical works.This article is divided into three chapters.The first chapter is the background of the times.It introduces the life and music of composer Dittersdorf,and the background of this concerto.The second chapter is music form analysis of the work.The composition is divided into three movements.It is a typical classical concerto structure: the first movement sonata form,the second movement single bilogy style,and the third movement complex trilogy style.The third chapter is the performance analysis,which is divided into three sections.The first section analyzes the scores of different versions,including the comparison of tuning and mark differences.The second section is the comparison of the macro speed and layout of the performance recording.The third section is the analysis of micro skills,including bowing,fingering,and timbre.Finally,for the conclusion of this thesis,on the premise of fully understanding the background and structural analysis of the track,we should study the contrabass' playing skills and timbre,and perform performances that follow historical principles and faithful music scores.