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Diversified Expression Of Aesthetic Imagery And The Timbre Design And Sound Layout Under Multi-narrative Structure

Posted on:2021-05-17Degree:MasterType:Thesis
Country:ChinaCandidate:X S ZhuFull Text:PDF
GTID:2415330626465294Subject:Art
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Since the 20 th century,the art of Chinese national orchestra has experienced from the birth,development,and to the gradual maturing process.Including the form of performance from civil society to professional colleges,as well as the performance content from the traditional repertoire to the creation of modern works.From the perspective of the creator,each period of Chinese composers who are entrusted with the mission to promote traditional music culture,unite their efforts and wisdom,opened up an exploration way from the imitation and absorption of western music,and integration to the development.Eventually created a large number of outstanding classical works.Since the 1980 s,the influence of western composition techniques and the aesthetic pursuit of “returned to nature" or "the strong and weak mutually assist each other" in eastern traditional music culture have deeply influenced Chinese composers,who began with great enthusiasm for the national orchestral creation.Especially the form of a “concerto” composed in a large orchestra composition between a national solo instrument with a symphony orchestra or national orchestra — that is,Chinese Traditional Concerto became the mainstream.By learning western composing techniques and seeking inspiration in the aesthetics of traditional Chinese culture,composers combined western creative ideas and the acoustic characteristics of Chinese national instrumental,creating excellent works with novel and amazing results.This article will select three contemporary outstanding Chinese Traditional Concerto.First,analyze the composers to create object different aesthetic cognition and expression.Then,analyze the composers taken a variety of musical narrative logic and the timbre of different narrative structures in their different aesthetic dominant.At last,the author will combine and analogy own experience of the creation.Trying to find cognitive rules and techniques in the research process to solve problems encountered in the actual creation and enhance the create logical and composition techniques.I hope to bring new thinking and version to the creation of the 21st-century Chinese traditional concerto.
Keywords/Search Tags:Chinese Traditional Concerto, Aesthetic Imagery, Musical Narratology, Timbre Acoustics
PDF Full Text Request
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