Research On The Transformation Of New Realistic Novels

Since 1987,a literary creation trend called neo-realistic fiction has been set off in the Chinese literary world.It presents readers a secular life full of sourness,sweetness,bitterness,sorrow,and joy in a new literary expression Space,and acknowledged the legal status of daily life with a creative attitude that recognizes the world.Since then,it has aroused enthusiasm in the literary critics,and made the new realistic novels become the most noticeable and influential literary creation phenomenon in Chinese literary circles in the late 1980 s and early 1990 s.However,under the turmoil of the market economy wave in the early 1990 s,people's cultural context also changed abruptly,causing new realistic novels to inevitably fall into the difficult situation that will be replaced by other new literary styles.Therefore,in the new historical and cultural context,new realistic novel writers try to find a new narrative way to express themselves.They strive to correct their own creative limitations by breaking through and following the trend,and use more diversified literary forms to crack the original.Some creative ideas make their works show their recognition of new aesthetic experience.This thesis focuses on new realistic novels,selects "transformation" as the entry point for this research,and uses the literary works before the transition of new realistic novels as a reference for comparison.It aims to limit the literary creation limitations before the transition of new realistic novels.Discuss in depth with historical development.By discussing the changes in literary concepts and specific creations of new realistic fiction writers,this paper explores the adaptation and persistence of new realistic fiction literary creations in the tide of the times,and explores the significance and transformation of its transformation.value.The thesis first takes the new realistic novel and its transformation as the starting point of research,outlines the rise of the new realistic novel and its artistic characteristics,and combines with the background of the era to explore the creative constraints that the new realistic novel falls into in a new cultural context,showing anew The change of realistic concept of realistic novel.Secondly,starting from the specific creations of the representative writers Chi Li and Liu Zhenyun in the new realistic novel,by integrating the two writers 'commonalities before the creative transition—the attention to mortal and common things,the author analyzes the identity crisis and A new literary creation attempt.Then,from the research standpoint of human care,explore the representative writers Liu Heng and Fang Fang of the new realistic novel.While trying to keep in harmony with the social context,they also made very different personalization attempts according to their own creative characteristics,reflecting the new The change of realistic novel writer's mood and narrative standpoint.Finally,starting from the changing process of "realism to pluralism" in the creation of new realistic novels,the author discusses its "constant" and "change" in the realization of literary transformation from two aspects: adherence to personal daily narrative and creation in accordance with the trend of the times.,Thereby digging out the era significance and self-independence value of the new realistic novel transformation.