| As a cutting-edge director of the post-80 s,Li Ruijun has currently made five feat ure films,and has won numerous awards at major film festivals for his highly artistic works.In the cultural context of coexistence of pre-modern,modern and post-modern,Li Ruijun pays attention to the countryside in the west.He always focus on the real situation of the "people" in his life from the head-up perspective,facing the material a nd mental dilemma confront farmers in the rural transformation.Li Ruijun ’s films are not only rich in ideological connotation,but also unique in film language.Thanks to t he immersion of Chinese traditional culture,he presents images in a "distant" way,wh ich enables his films to reshape the documentary aesthetics of the film while having P oetic style of oriental charm.The main body of this article is divided into six parts.The first chapter integrates Li Ruijun’s growth experience and creative trajectory in order to trace the source of hi s creation;the second chapter explores the theme of Li Ruijun’s film and delves into t he ideological connotation of his film;The third chapter starts with the consistent "old-medium-small" character setting mode of Li Ruijun’s film,comprehensively analyzes the subject consciousness and personality characteristics of the film’s character image,and excavates the cultural connotation contained in the character image;The fourth c hapter makes an in-depth analysis of the audio-visual symbols and narrative functions in Li Ruijun’s film,so as to explore the aesthetic value and style of the film;Chapter 5explains Li Ruijun’s poetic aesthetic pursuit from the perspective of documentary aest hetics;The sixth chapter puts Li Ruijun in the current lineage of the directors of local movies,and discusses the gains and losses of Li Ruijun’s creation and the developmen t of local movies.The full text strives to study the authorship of the film from the abo ve aspects,from the comparison of Li Ruijun’s film style with other directors. |
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