A Study On The Orchestration Techniques Of Liu Wenjin's National Orchestral Works

This article takes three famous orchestral works by Chinese famous composer Liu Wenjin,"Ambush from All Sides","Jasmine Flower" and "The Great Wall Capriccio" as research objects,and studies the orchestration techniques for his works.Mr.Liu's national orchestral works come in different forms,such as original and adaptation.The author has studied three different forms of his works.His works are mainly developed from traditional ancient songs,or folk music materials such as folk songs,or use your own work for adaptation.In this article,the author tries to analyze the three works in the band organization and the use of musical instrument techniques and timbre mining,the timbre processing of the vertical texture and the timbre layout in the horizontal direction,and the homogeneity and heterogeneous texture structure in the vertical structure.The characteristics of tone processing,the color of lines in the horizontal structure,and the layout of the orchestration in the overall structure,combined with the technique of the orchestration in his works,explain the characteristics of Mr.Liu's orchestration.The essence of Mr.Liu's work is his innovative concept of combining "tradition" and "time".This article focuses on the orchestration techniques used by Mr.Liu in his works,and analyzes his use of line sense,gradual thinking,and polyphonic thinking in the tone change of the orchestration techniques.These all include the composer's perceptual thinking and rationality in his creation.Unity of thinking Mr.Liu uses traditional music aesthetics and western technical thinking logic to develop distinctive Chinese and Western music elements.