Chinese Folk Painting Art

After the founding of new China,Chinese peasant painting is a unique kind of art developed under the socialist political system and cultural system,which belongs to popular painting.Chinese peasant paintings are bred in Chinese traditional folk art such as paper-cutting,new year paintings,embroidery,etc.most of their creative inspiration comes from the experience of farmers' daily life and labor production,which is the process of farmers' using spare time to describe rural life with brush.peasant paintings pay attention to the use of color and have strong visual effect.With the emergence of the upsurge of vigorously promoting traditional culture and protecting and reviving folk culture,the development of Chinese peasant painting art has brought unprecedented opportunities and challenges.With the continuous development and change of the times,the rise of new media art seems to have a great impact on traditional art painting.But from another point of view,the new media art also promoted the development of traditional art to some extent,and injected new inspiration and vitality into traditional art painting.Chinese peasant painting has been very mature in painting skills,want to have innovation in the form of artistic expression,more need to use the power of modern science and technology,from the interaction,the sense of the future of new media art to find innovative inspiration,this is also the peasant painting this kind of traditional art painting the inevitable trend of development in the future.On the contrary,folk art paintings such as peasant paintings also provide a large number of design elements and ideas for new media art,which complement each other,promote each other and develop together.This paper takes Chinese peasant painting as the research object,takes the new media art as the innovation inspiration,uses the literature investigation method to collect and sort out the peasant painting art material,analyzes and sorts out its development origin,the creation subject,the art type,the cultural connotation and so on.By comparing the characteristics of the representative peasant painting villages such as Huxian,Jinshan and Shuicheng in Shaanxi province,this paper sums up their visual and modeling language characteristics.And personally went to Jinzhou,Dalian to conduct field research on peasant painting,in-depthinterviews with local peasant painting artists,personally feel the artistic charm of peasant painting,analysis of the relationship between peasant painting and new media art,and explore the innovative inspiration of peasant painting from the new media art,so as to conduct a feasibility study.Combining peasant painting with new media art,we can find creative inspiration from gif animation,break the limitation that traditional graphic painting can only be created on paper,make it move,and give peasant painting a new life;The combination of peasant painting and holographic projection art can not only make it move,but also realize the integration of virtual and reality,so that peasant painting can be displayed in 3d form in front of people,showing three-dimensional effect and enhancing the visual experience of the audience;By using the interactive characteristics between peasant painting and new media art,the audience can be deeply integrated into the new art form through the " five senses",which can narrow the distance between people and art,science and technology,and enhance the artistic value feeling.Hope that through the study of this topic,can open up new ideas and inspiration for Chinese peasant painting creation,and promote the inheritance and development of traditional culture better.