Study On The Murals Inheritance Of Gelug Sect Temple In Tumet Area

In the historical and cultural exchanges of China's ethnic minorities,the interaction between Mongolian and Tibetan civilizations is relatively frequent.In the late Ming dynasty,the gelug sect of Tibetan Buddhism spread rapidly in tumed in Mongolia through the missionary activities of the third dalai sonan jiacuo.The historical records are basically based on the meeting between andahan of tumed and yanghua temple of gelupai suonan jiacuo,but this is only the beginning of gelug school's introduction to tumed.The records in such written historical materials are not enough to show the details of the cultural exchanges between Mongolian and Tibetan civilizations.This paper mainly studies the route that the gelug school passed to the tumed tribe in the late Ming dynasty,that is,the route of the third dalai sonan gyatso's mission.Insufficient liquidity in space.In order to solve this problem,in addition to paying attention to the historical records,the temple and temple murals.Firstly,the number and temporal variation of huangjiao temple were studied,and the temporal arrangement and selection of temple murals were made.In 1578,the time limit for southern jia cuo in qinghai,contrast before and after this point in time the gelug sect monasteries and the change of time and space,increase or decrease in the number of realized suo jia cuo in tin,south building,remember to establish grant,affect proselytize to expand the influence of the gelug sect: number of monasteries hehuang area in qinghai continue to maintain rapid growth;Huangnan area grew rapidly and became another central area of gelug sect.Mongolia tumed ministry,after andahan return,gelug sect also had a rapid development.Secondly,the author studies the inheritance of the style of mural in the yellow temple in tumed area.To historical research methods as guiding principles,through analysis of the modelling of one temple murals tumed area unit,compared to existing fresco style of Tibet,shamanism tumed region temple frescoes style: early gyantse style and style of guge inherits the Tibet,after the mian tang painting and the influence of the central plains han,Mongolian unique fusion of color selection,finally formed the frescoes style diversity.Finally,study the meaning change of mural image of yellow temple in tumed area.By using the method of image history,this paper compares the mural images of huang jiao temple in tumed area with those of other areas,so as to find out their differences: 1,tumed region shamanism temple murals statue shape into the Mongolian clothing elements;2.There is a phenomenon of handprints in the murals of the yellow temple in tumed area.3.Mural paintings closely related to Mongolian nomadic life appear in the Yellow Religion temples in Tumed region,and the image of horse has the characteristics of Mongolian horse.Entire article follows the image of historical research methods,to the Ming dynasty as the starting point of the gelug sect of Tibetan Buddhism spread tumed east route,with temple for a foothold on the route,one temple murals in tumed area shows information as a focus for contrast research,explore the link of temple murals,show the historical text can not display the microscopic condition,rich minority culture exchange research in our country.