| This paper mainly focuses on the film works in mainland China since the reform and opening up.In the main narrative development process,the female images not only reside in Chinese cities,but also flow in urban and rural areas.Taking this as the research object,this paper attempts to investigate the film cultural picture of urban women's survival,emotional state and life experience since the reform and opening up,as well as the relationship between this picture and the social history and cultural trend changes of "reform China".In this paper,the research object is included in the context of the development of Chinese films and the historical context.In addition to the introduction,the thesis is divided into three parts:The first chapter summarizes and expounds the relationship between the changes of urban female images,narrative modes and the changes of Chinese social and historical situations.The second chapter analyzes the reasons and types of urban female images in films since the reform and opening up.The third chapter tries to explain the urban female image since the reform and opening up in the framework of the social stratum dimension in the social and historical reality related to the expression of urban female image.The author believes that if the city female images in the film into China since the reform and opening up the development and historical context of China film association,the urban women during image has its significance and characteristics of both but also has the early Chinese film and the contemporary China's 30 years before the film the two stages of urban female image shaping.This succession and continuity is also in line with the overall characteristics of women's liberation in China's historical reality.In fact,the expression of the image of urban women is not only about gender,nor confined to "feminism",but a subject closely related to gender,class/stratum and nation-state in the interweaving of historical and realistic situations. |
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