Analysis Of The Spatial Production Of The "Village Image" In The Documentar

Based on the spatial tripartite dialectics,the article will start from the graduation work "Yangui Dongxiang",and explore the spatial practice(cognitive space),representations of space(conceived space)and the representational space(space of life))in the construction of "village image".From the perspective of spatial practice,the characteristic rural landscape symbols(architecture,topography)and mysterious rural life symbols(horns,highways)characterize and construct the rural image;in the spatial reproduction under the media environment,the documentary shows the rural image and the national image dominated by the national discourse From the perspective of the creator,the bottom-level care and cultural consciousness,through the image capabilities of characters,story structures,sounds and editing,reproduce the new era,new village,new landscape,new production,new characters and new spirit for the audience;the space reproduced from the third space On the level,it is the interaction of all elements in the social space.The documentary film on poverty alleviation has shaped such a strong community of destiny in the countryside,demonstrated different rural culture and rural ceremonies,and established channels of identification between different cultures and different identities The departure and return of the new villagers is a re-grant of the local value,and the spiritual core of the villagers' struggle for poverty alleviation is also beyond the established space.